Saturday, May 12, 2018
Run-up to war?
Adam Shatz, "The Drift towards War," on the LRB Blog.
Over the last few years, Israel has carried out hundreds of strikes inside Syria, mostly aimed at Hizbullah military convoys suspected of transferring advanced weapons into the Bekaa Valley. In February, however, after intercepting what it claimed to be an armed Iranian drone in its airspace, Israel struck for the first time at Iranian targets, killing at least seven members of the Quds Force, the external operations unit of the Iranian Revolutionary Guard. The possibility of an Israeli-Iranian war is now higher than it has ever been, since Iran feels encircled, and Israel believes that it has a green light from Washington for further military adventures.
Elliott Colla, "Fog (of War) Machine"
When the US invaded Iraq fifteen years ago, it did not do so accidentally -- we were led there: first and foremost by the neocons who wanted war at any cost; and secondly, by a liberal media that was all too willing to create the fog that made the war possible. There are salient differences between now and then. In 2003, one could plausibly make the argument that US war policy was not driven by Islamophobia and the most toxic forms of Zionism. Not so this time. By this stage in 2003, we had gone out in the millions to protest. We haven't even begun to do so yet.
The fog bank is rolling in again this week, bringing with it mass human suffering.
Do not think of it is a natural event. It is entirely man-made. It's what happens when a blast of neocon will-to-power hits the hot, moist air of liberal humanitarianism.
And do not think that this fog emanates from distant places "over there" in Syria. This fog is an entirely local meteorological phenomenon, designed to prevent only Americans from seeing things for what they are. It will not impact weather or vision in other parts of the globe.
Tweet from Laleh Khalili
To which I add: I met an Israeli in 1971, in New York City, who told me that he grew up in an Israeli community very close to the Syrian controlled Golan Heights and that he never felt under threat, at least prior to spring 1967. And as Dayan clarifies, the reason for shooting in the area was Israeli provocation.
Saturday, September 14, 2013
Tehran Street Style
Saturday, December 08, 2012
Apache (Apaçi) Kurdish Turkish dance. Or is it?
A comment on a blog that discusses "Apache dancing" tries to explain:
Actually "apaçi" is a trending word in Turkish slang. It is used when describing uneducated and wannabe young people that has immigrant parents and live in suburbs of big cities like Istanbul, Ankara or Izmir. These young people can never completely integrate themselves to the city life because of their origins and that's why they have a "mutant" style, a bit from city life and a bit from their conservative family life.
"Apaçi dance" term came up from a dance style that is performed by these apaçi people when they're in a clubs :)
It's seems then that apaçi is a pejorative term used to describe young Kurds in Turkey. A term of denigration that, perhaps, young Kurds have embraced and attempted to detourn?
A friend who is in Alanya, Turkey, which is far from Turkey's eastern border but has lots of workers from the east, says "the young men with those kinds of hairstyles (standing up in the middle, lots of gel, long on the sides and back, etc) call their style 'apache'."
Meanwhile, as far as I can determine, Mehmet Ali Arslan is from Northeastern Turkey (near Ardahan) and the music may have Georgian, Azeri and Iraqi (Kurdish) influences. (I used Google translate to try to make sense of this.)
Interestingly, the dance performed above is very similar to the dance performed in the video below. This is from Iranian Kurdistan. Fatima Al Qadiri has written about it here. Not very informatively, as she doesn't even mention that the singer, Mehdi Alizadeh, is from Iran. He is really great, no?
So maybe (as Sherifa has noted in a bit of conversation about this on FB), there isn't any specific "Apache" dance tradition, so much as it is a matter of apaçi-s who are doing it.
Here's another Mehdi Alizadeh vid.
Who knows, maybe this is more like what Apaçi dance is supposed to be:
Tuesday, August 14, 2012
Jokers: Iran's Psychedelic Treasures, 1972
Thursday, July 02, 2009
Essential reading on Iran from MERIP + arrest of Iranian researcher Bijan Khajehpour
This press release was issued today:NEWS RELEASE July 2, 2009
Middle East Research and Information Project
1500 Massachusetts Ave. NW, Suite 119
Washington, DC 20005
www.merip.org
Another Iranian Researcher Jailed
The Middle East Research and Information Project (MERIP) condemns the arbitrary arrest and detention of the economist Bijan Khajehpour by authorities of the Islamic Republic of Iran. Khajehpour was snatched from the Tehran airport on June 27 upon arrival from Britain. His whereabouts are thus far unknown to his wife, two young children, family, friends and colleagues.
His arrest fits into the deeply disturbing pattern on display since the Islamic Republic moved to quash popular dissent from the official "result" of the June 12 presidential election. On June 30 the Guardian Council, an unelected and unaccountable clerical body, "certified" that "result" on the basis of an internal review of only 10 percent of the ballots. Hundreds, if not thousands, of Iranian citizens are in jail because they have spoken out for more transparent democratic procedures and the rule of law in Iran.
Khajehpour is chief executive officer of Atieh Bahar Consulting, a highly respected firm based in Tehran, and author of tens of articles on Iranian political economy. He suffers from diabetes, and MERIP is very concerned about his health while in detention.
"It's impossible to know what is happening in the hardliners' 'black sites,'" remarked Kaveh Ehsani, an editor of Middle East Report, where Khajehpour's work has been published. Reports of torture during the post-election crackdown are so numerous as to be impossible to dismiss. The Islamic Republic has an execrable record of maltreatment of prisoners, one no better than that of the regime it replaced.
MERIP points to articles of the constitution of the Islamic Republic of Iran which prohibit such maltreatment, outlaw the persecution of individuals for their beliefs, protect freedom of speech and the press and permit the free holding of public gatherings. These articles correspond to legal protections enshrined in the UN Covenant on Civil and Political Rights, to which Iran is a signatory.
"Unfortunately, the powers that be in today's Islamic Republic seem bent on flouting the constitution, with a brazenness unseen in recent years," continued Arang Keshavarzian, another Middle East Report editor who was in Iran during the June 12 voting. The Guardian Council's opaque and incomplete review of ballots is the most recent signal to this effect.
"Anyone who is still attuned to the hardliners' 'anti-imperialist' siren song should ask themselves why so many principled Iranians are in jail for closing their ears to it," added Chris Toensing, executive director of MERIP.
MERIP calls upon all defenders of human rights to press for an immediate halt to the crackdown on the Iranian dissenters and the prompt release of all persons unjustly detained.
*************
"Protest and Regime Resilience in Iran," Khajehpour's analysis of a previous episode of pro-democracy dissent (Dec. 2002), is available on the MERIP website at: http://www.merip.org/mero/mero121102.html

For background on Iran, see the spring 2009 issue of Middle East Report, "The Islamic Revolution at 30." (This should be required reading for all reporters covering the latest events in Iran.)
For an absolutely essential analysis of Iran's latest events:
Kaveh Ehsani, Arang Keshavarzian and Norma Claire Moruzzi, "Tehran, June 2009," Middle East Report Online, June 28, 2009.
Saturday, June 27, 2009
Culture Notes on #iranelection 3.7 + MJ
Jason Jones' Iran series, btw, was the best work JJ has done ever.
| The Daily Show With Jon Stewart | Mon - Thurs 11p / 10c | |||
| Jason Jones: Behind the Veil - The Kids Are Allah Right | ||||
| thedailyshow.com | ||||
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For more Hich Kas music, go here. And search for him on youtube: lots of vids.
2. Alexander made a comment on my previous post, with regard to Mohsen Nimjoo:
...one thing to keep in mind about Namjoo is that unlike Bob Marley and Fela Kuti (who are pretty unanimously revered in their home countries, as far as I'm aware), he has not reached that level of popularity and is not uniformly loved. I was surprised to see Mousavi use a Namjoo song in his campaign advertising, mostly because a lot of the older generation (the ones who have heard of him, anyway) don't like Namjoo and feel that he butchers traditional Iranian music. I am sure that Mousavi wanted to reach out to the young, but he could have used a less divisive figure.
Thanks for that information, Alexander--I heavily depend on Iranian friends and informants, because I am no Iran expert. To clarify, the reason I prefer to compare Namjoo to Marley and Fela rather than to Bob Dylan is that the former all mix "Western" and "non-Western" forms of music in amazing ways. Namjoo, however, reall goes all over the place with his borrowing of Western genres. Check out "Jorah-Baz" from his Toranj album, for instance. It opens with the riff based on Muddy Waters' "I'm A Man," complete with blues harmonica and slide guitar. And then takes the song somewhere else.
Listen to it here:
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Here is the clip made for Mousavi's campaign, Namjoo's remix of Mohamed Reza Shajarian's "Hamrah Sho Aziz." Namjoo was one of many Iranian artists who came out in support of Mousavi's campaign for president.
3. Now for MJ. And there are some Iran connections. As many have noted, Michael Jackson was truly a global star. Some of my Iranian friends recall that MJ provided their soundtrack during the early years of the Islamic Republic of Iran (IRI). And here's some evidence, from Marhane Satrapi's acclaimed graphic novel, Persepolis. (Thanks to Hegar for providing this.)

4. MJ was popular in Iraq too. Among prisoners incarcerated by the US military, post-2003. Jonathan Pieslak, author of Sound Targets: American Soldiers and Music in the Iraq War, is featured in the latest New Yorker's Talk of the Town. He tells Lauren Collins that US "soldiers would use [heavy metal band Drowning Pool's song "Bodies"] both to get pumped up for battle and 'to induce irritation and frustration among detainees.' (The detainees, apparently, preferred ’N Sync and Michael Jackson.)"
And, if we can credit the film The Three Kings, Michael Jackson was also favored by Saddam's interrogators. Check out this unforgettable scene from the movie, where Iraqi interrogator Captain Said (played by Said Taghmaoui) educates Sgt. Troy Barlow (Mark Wahlberg) about why Michael Jackson disfigured his face. (Thanks, Elliott.)
5. Pakistan, too. Check out this scene from Pakistani comedy show "Fifty Fifty." (Thanks, Iftikhar and Nila.)
6. And then there are the rumors about Michael Jackson being a Muslim, which run rampant in the Muslim world. For some reason, such rumors spread about certain Westerners. Two I think of off-hand are Neil Armstrong and Jacques Cousteau (untrue in both cases). When it comes to Michael, of course, the rumors are fueled in part by the fact that (a) he took up residency in Bahrain in 2005 and (b) that his brother Jermaine did convert to Islam in 1989.
Ali Eteraz does a good rundown of the rumors, which he puts to rest, inshallah, here.
Whatever god(s) you did or didn't worship, Michael, RIP.
Thursday, June 25, 2009
More on culture/#iran election
The song, "Dad Bezan Sedat Berese (Scream to Let Your Voice Be Heard)," was written in response to, and in criticism of, Israel's recent assault on Gaza (December '08-January '09). It provides evidence that the young people of Iran, who are the main social force sustaining the current political mobilization, are not simply Westernized elitists. There is no reason to expect that love for Israel will be unleashed if the forces represented by the Opposition movement comes to power.
It occurred to me a few days ago that supporters of Palestinian and Iranian rights should start wearing green kufiyas to express solidarity with both movements. I posted this random thought on Facebook, and guess what? My niece, who lives in New York City, posted me a few hours later that she was at an Iran rally (June 21), and had spotted a green kufiya. A bit later she posted on Facebook that she had seen another. Let's get this trend going!
More anecdotal information: A friend who recently returned from Iran wrote me this:
On Saturday (the day after the election), I was at a demonstration and when the riot police showed up on their motor bikes, someone in the crowd yelled "the Israelis are here, run!" Also, two different people mentioned to me that "they [the authorities] have turned Iran into Palestine."
2. Here's another music video, brand new, from the Iranian group Abjeez and Congo Man Crew (thanks, Negar).
The song, "Biyaa," features footage of the recent demonstrations in Iran. "A song dedicated to the courageous people of Iran, in support of freedom and Unity!", Abjeez writes on their Facebook page.
Abjeez ("sister" in Persian slang) are, surprise, two Iranian sisters, Safoura and Melody Safavi, based in Sweden. More info is available here. I've posted about them previously. Check out their other videos, on youtube and elsewhere, they are very clever and the music is terrific. Download the song here. I hope that an English translation is forthcoming.
3. For those looking for more Iranian music in a modern vein, I highly recommend Mohsen Namjoo's album Toranj, which is available from emusic. A good article about Namjoo is here. But I cringe at the Bob Dylan comparison--too easy--and think he should be more properly thought of as Iran's Bob Marley or Fela Kuti.Namjoo's official homepage is here.
And you can even become a Namjoo 'fan on' Facebook, if you like.
4. Some short notes:
Four of Iran's soccer players have now been "retired" from the sport, after they wore green in their match last Wednesday with South Korea.
Renowned Iranian filmmaker Mohsen Makhmalbaf recently released a statement on Iran. Watch it here (with an English translation).
We have found each other again. Even with all the violence happening in Iran, the Iranian people are more kind to each other now. For example, some put their motorcylces on fire, destroy their vehicles, so the fuels of their vehicles suppress the effects of the tear gas. They are defending each other. Around the world, we see that people have put their differences aside.
MERIP issued a news release yesterday protesting the arrests of writer and filmmaker Maziar Bahari and reformist intellectual Saeed Hajjarian. (It's not available online.)
Bahari is a veteran reporter who has covered Iran for the BBC and Newsweek. Hajjarian was formerly a top adviser to former President Mohammad Khatami. As he was shot by right-wing vigilantes in 2000 and has been physically disabled since then, MERIP is deeply concerned about his health while in detention.
"Bahari and Hajjarian would be the first to note that their arrests are only two among hundreds, if not more," commented Shiva Balaghi, an editor of Middle East Report, where the work of the two writers has appeared. There are several reliable reports of torture and other maltreatment in Iranian prisons.
Bahari's film "Football, Iranian Style" was reviewed by Shiva Balaghi in Middle East Report 229 (Winter 2003). The review is available online at: http://merip.org/mer/mer22
Hajjarian was interviewed in 2000 about Iran's "reformist moment" by Kaveh Ehsani. The text of the interview is accessible online at: http://www.merip.org/mero/
More to follow...Stay tuned.
Tuesday, June 23, 2009
Interzone Radio Playlist: Iran Special
1. "Raks dance," Raks, Waking up Scheherazade (rock from the 1960s)
2. "Dil Dasa Per Mesha," Kouroush, Waking up Scheherazade (rock from the 1960s)
3. "Kalagha," Manouchehr Sakhaee, The Best Of Manouchehr (pop)
4. "Dastgah-e Mahur: Tasnif 'Mahd-e Honar'," Alireza Eftekhari, Music Of Iran I (traditional)
5. "Foroud," Kayhan Kalhor & Ali Akbar Moradi, In The Mirror Of The Sky (traditional)
6. "Mahour," A. Ebadi, Setar Solo : Master Performers of Persian Traditional Music (traditional)
7. title unknown, Hich Kas feat. Reveal, download here (rap)
8. "Testament cover," SDS, courtesy youtube (death metal from Tehran)
9. "Sani," ZAMAN 8 & Hafez Modir, Suryaghati EP 1, Six Degrees (world/jazz)
10. "Neyriz," Jalal Zolfonun And Soheil Zolfonun, Mystic Journey: String Music Of Iran
11. "Bahooneh," Iraj, 48 Golden Hits of Iraj (traditional)
12. "Saz va Avaz," Mohammad Reza Shajarian, Bidad (traditional)
13. "Vaghti Mebanamet," Parva, Shah Mahiha (pop)
14. "Shekayat," Googoosh, 40 Golden Hits Of Googoosh: The Best of 1970-1979 (pop)
15. "Yadesh Beh Kher Tow Tehran," Faezeh, Yadesh Be Kher Tow Tehran (pop)
16. "Djooni Djooni," Minoo Javan, Persian Folk Songs (traditional)
17. "Magham Allahwaisy And Hejrani," Ali Akbar Moradi, Fire Of Passion (Kurdish Tanbur Music Of Iran) (traditional)
ُ18. "Sepideh(Avaz e Hejaz)," Shahram Nazri, Atashi dar Neyestan (traditional)
19. "Demokrasi," Abjeez, Hameh (rock)
20. "Ghame Del," O-Hum, Aloodeh (rock)
21. "Auricle," Kahtmayan, Exir (heavy metal)
22. "Dad Bezan Sedat Berese," Salome, courtesy youtube (rap)
This song is in solidarity with the people of Gaza, assaulted by the Israeli Defense Forces in Dec. '08-Jan.'09.
23. "Talkhi Nakonad," Mohsen Namjoo, Toranj (rock)
24. "Ham Avazi Shushtari," Masters of Persian Music, Faryad (traditional)
25. "Tan Amiri," Ostad Elahi, Spiritual Epic (traditional)
Saturday, June 20, 2009
More on culture and #iranelection: Shajarian, Makhmalbaf/Mousavi, Iranian rap and metal, Khamenei's kufiya trim
1. I've tracked down the context in which renowned Iranian singer Mohammad Reza Shajarian asked the Iranian state radio to stop broadcasting his songs. I quote some excerpts from an article in The Guardian on Thursday:When it was uttered it was meant as a biting put-down to the thousands who dared to question his re-election as president of Iran.
"The nation's huge river would not leave any opportunity for the expression of dirt and dust," said Mahmoud Ahmadinejad in a rather elliptical reference to the surging protests on the streets of Tehran...
But, just as street protests the world over seize upon a poignant image to convey their message, so Ahmadinejad's contemptuous phrase "dirt and dust" has entered folklore and provided a focus for the rage of the protesters.
So far it has inspired pithy slogans, blog headlines, posters and a litany of insults throwing the president's words back in his face. "Dirt and dust is you, it is you who are the enemy of Iran," one chant goes. Another frequently-heard slogan has been: "We are not dirt and dust, we are Iran's nation."
The phrase (khas o khashak in Farsi) has become a badge of pride. Etemad-e Melli, a reformist newspaper, carried a huge picture on yesterday's front page showing marchers carrying a banner bearing the slogan, Epic of Dirt and Dust. The offending words were written in green, the colour adopted by Mousavi's campaign.
It has also prompted a high-profile protest from one of Iran's most famous singers, Mohammad Reza Shajarian, who asked the state broadcaster IRIB – controlled by Ahmadinejad supporters – to stop playing his songs because he believed the insulting reference included him.
"I emphatically ask IRIB not to broadcast my voice because this is the voice of dirt and dust and will always remain so," he told BBC Persian.
My friend Shiva tells me that Shajarian has been participating in the protest marches in Tehran this week as well. I've seen him perform in New York, with Hossein Alizadeh and Kayhan Kalhor (with Shiva), and I highly recommend buying any of his recordings, because it is great music, and you get to show support for a progressive artist.
2. Iranian film director and Mousavi spokesperson Mohsen Makhmalbaf issued a statement on behalf of Mousavi yesterday, published in The Guardian. In it, he refers to Mousavi's relation to the arts scene in Iran--as mentioned in my previous post:
Before the revolution, Mousavi was a religious intellectual and an artist, who supported radical change but did not support the mullahs. After the revolution, when all religious intellectuals and even leftists backed Khomeini, he served as prime minister for eight years. The economy was stable, and he did not order the killings of opponents, or become corrupt.
In order to neu[t]ralise his power, the position of prime minister was eliminated from the constitution and he was pushed out of politics. So Mousavi returned to the world of artists because in a country where there are no real political parties, artists can act as a party. The artists supported Khatami and now they support Mousavi.
Previously, he was revolutionary, because everyone inside the system was a revolutionary. But now he's a reformer.3. Mark Levine, author of Heavy Metal Islam, is blogging about hip hop and heavy metal artists in Iran and their thoughts about the current protests. He's constantly updating the post, so keep checking back. Mark also links to the galleys of his chapter on Iran in Heavy Metal Islam, if you are interested in more background.
Mark also observes the following:
one of the main complaints i'm getting from friends in iran is that they are getting hardly any support from the arab world. ahmadinejad is very popular there bc of his 'standing up' to israel and the US (in my mind, it's more like professional wrestling--the iron sheikh vs sargeant slaughter) and no one caring what it actually means to live under the current system. i'm working on a piece now on how hosni mubarak must be viewing what's happening here. it's hard to imagine the egyptian people putting up with another sham election in their country after the courage displayed by iranians. but it is true from what i can tell that support for the iranian people from the arab ngo/activist sector has been relatively weak. if anyone has good examples to the opposite, please send them my way.
I too would be interested in comment on that subject. What is opinion in the Arab world?
4. Finally, when Ayatollah Ali Khamenei delivered his speech yesterday calling on supporters of the opposition to end their protests, and asserting that there was no vote rigging or cheating in the elections, he wore a robe trimmed with the pattern of the black-and-white kufiya. Reasserting, then, that he and Ahmadinejad are the Iranian representatives of the sacred cause of Palestine. As noted previously, some of the protesters are contesting this. Just as they are contesting the ownership of the slogan of the Iranian Revolution, "allah-o akbar."
Wednesday, June 17, 2009
Culture and sports notes on #iranelection
I'm talking about more traditional forms of culture.
First up is Shiva Balaghi's invaluable report on Middle East Report Online, published a few days before the election, "An Artist as President of the Islamic Republic of Iran?".
Some of Iran’s leading intellectuals and cultural figures have been actively campaigning for [Mir-Hossein] Mousavi. They attended a May rally in Azadi Stadium, marking the anniversary of the 1997 election of President Khatami. The Oscar-nominated director Majid Majidi made Mousavi’s official campaign video. Over 800 filmmakers and actors signed a public letter published in Iranian newspapers supporting Mousavi’s candidacy. Leading directors like Dariush Mehrjui, Mohsen Makhmalbaf, Manijeh Hekmat, and Masoud Kimiai appeared in a ten-minute video, “Green Stars,” distributed on YouTube, calling on Iranians to vote -- and to vote for Mousavi...An architect and an artist himself, Mousavi has garnered increasing support amongst Iran’s culture workers who have faced growing pressures in Ahmadinejad’s regime.
Renowned filmmaker Mohsen Makhmalbaf, in fact, serves as a Mousavi spokesperson abroad.
Second--and again, my source is Shiva--the renowned Iranian singer Mohammed-Reza Shajarian, who is probably the greatest performer of Persian classical music, has protested that Iranian state television used his music in their pro-Ahmadinejad broadcasts.
Check him out, performing with Kayhan Kalhor (kamancheh) and Hossein Alizadeh (tar).
Finally (and again, thanks to Shiva for alerting me to this):
Five Iranian soccer players, including captain Ali Karimi, wore green wristbands in an apparent sign of support for Mousavi at a World Cup Asian qualifying match in South Korea. State television showed the players wearing them for the entire first half, but the bands were gone by the time the second half started. (from MSNBC)
(photo: Min Kyung-hoon, AP)Team captain Ali Karimi is second from left, and he's wearing a green armband, not a wristband.
Monday, June 15, 2009
Iran, Palestine, Kufiyas

And then there's this: Kamran Rastegar reported this on facebook today:
Students chanting seen on BBC Persian TV: "mardom chera neshestin, iran shodeh felestin." (people why are you still sitting, Iran's become Palestine).
Later in the day, Kamran posted:
Love to our Palestinian, Lebanese and other Arab supporters in the struggle in Iran... Kullina Ghazzeh, Kullina Tehran! [we are all Gaza, we are all Tehran].
Indeed. On the youtube videos I watched of the Tehran demos yesterday and today, I heard demonstrators chanting, "marg bar diktator," or, "death to the dictator," i.e., Ahmadinejad. The slogan of the Iranian revolution was "marg bar shah": "death to the shah." About time that the symbol of Palestine solidarity was taken out of the hands of the cynical holocaust denier.
Sunday, May 31, 2009
More on Lebanese rap. Plus Ahmadinejad's kufiya.
OS Loop [of Katibe 5] recalls a concert American superstar 50 Cent put on in Beirut in 2006, before the Israeli bombardment of Lebanon that killed more than 1,200 Lebanese. A native of Queens, New York, 50 Cent often raps about how he survived being shot nine times. But OS Loop isn't overly impressed with that – or the commercial turn that 50 Cent's music has taken.
"Now Snoop is coming, and Akon is coming [to Lebanon], but for me they are all commercial," he says. "I wish 50 Cent stayed in Lebanon for the war," he adds with a laugh. "I wanted to tell him what's the true meaning of gangsta."
And check this out, from Jon Lee Anderson's recent New Yorker article, "Letter from Tehran," which focuses on Ahmadinejad.When President Khatami took office, in 1997, he removed [Ahmadinejad] from the governorship [of Ardabil], and Ahmadinejad returned to his old university [Iran University of Science and Technology] to teach. He received a Ph.D., in traffic management, that year.
“At the university, Ahmadinejad was very active in the Basij organization, and when the reformists came to power in 1997, with Khatami, he used to make problems for the professors and come to class with a kaffiyeh, to show his solidarity with the Palestinian cause,” [Nasser] Hadian [professor of political science at Tehran University and childhood friend of Ahmadinejad] said.

Let's tease this out a bit: the holocaust denier, using his kufiya as a sign of solidarity with Palestinians, as well showing that (a) he's down with the paramilitary Basij, who function among other things as a kind of morals police, and (b) is politically opposed to the Khatami-led reformist movement. Palestinians really need friends like this...
Overall, Anderson's article was informative, but given that Dennis Ross is Secretary of State Clinton’s special adviser on Iran, I'm rather more nervous about the prospects for US-Iran diplomacy than Anderson. (Ross, as is well-known, tilts too close to the Israeli position on Iran.)
Saturday, December 06, 2008
New kufiyaspotting: rappers in Iran
While Tait's report on Iranian rappers taking up the kufiya is interesting, I think he gets the history of the kufiya's use in Iran all wrong. I have posted about this previously, and I quote once again from Roxanne Varzi's ethnography, Warring Souls: Youth, Media, and Martyrdom in Post-Revolutionary Iran:
The qafiyeh [why this spelling, I don't know] was first donned by Islamic revolutionaries to show support for Palestine and resistance to Westernization. Later, it became a symbol of the volunteer soldiers fighting for Islam in the Iran-Iraq war.
Tait, then, leaves out the fact that the kufiya was originally worn as a sign of solidarity with Palestine, and then took on additional meanings, associated with Iranian nationalism and the Islamic republic.
A report by Mohammed Memarian for Mideast Youth comments on Iranian President Ahmedinejad's use of the kufiya (again, spelled chafiyeh here):
In the visits he [Ahmedinejad] paid to different provinces before elections, he used to meet war casualties [some of them with severe condition, for example those who were affected by chemical weapons, still live in special wards] as well as graves of the martyrs of Iran-Iraq war. Wearing Chafiyeh [i.e. an originally Arabian cloth, similar to a scarf, which people use to cover head and neck in summer in southern provinces of Iran; for the same reason, Iranian soldiers extensively used it during war. After 8 years of Iran-Iraq war, Chefyeh turned into an important symbol of those who had sympathy with the values of war, especially martyrdom] was a straightforward message to all. Whatever the rationale of his election, Ahmadinejad marked a significant breakthrough for fanatic supporters of (original values of) revolution.
As I also note in another kufiya post, the Iranian government has cracked down on those who wear red kufiyas as an insignia of Arab identity in Khuzestan (Arabistan), Iran's southern, Arab-majority province.
Why are Iranian rappers putting on kufiya? Not, I think, out of solidarity with Arab ethnic minority struggles in southern Iran. Could it be the fact that it's so hip in the West, including among US rappers, like Lupe Fiasco, Chamillionaire, The Cool Kids, Kanye West and Jay-Z? Are they trying to shift the meanings of the kufiya away from an association with the Iranian revolution and toward Palestine? (I'm pretty sure Iranian rappers are hip to the Palestine struggle.)
I with Tait's article named names, so I could find videos and photos of the Iranian rappers in question. I'm not terribly conversant with Iranian hip-hop, but I really like Hich Kas, who I've posted about previously. For more general info, music and vids, check out the website Pars Hip Hop. And a decent article.
Iran's underground rap artists take to wearing symbol of Islamic revolution
* Robert Tait in Istanbul
* The Guardian, Monday December 1 2008
For nearly 30 years its distinctive chequered pattern has been a sacrosanct symbol of Iran's Islamic revolution and an essential garment for its most committed adherents.
But now the chafiyeh, the black-and-white scarf proudly worn by President Mahmoud Ahmadinejad and his loyal followers, has become an unlikely fashion item for young Iranians drawn to the same western pop culture that country's leaders disdain.
The scarf has become a craze among Iran's emerging crop of underground rap artists, who have taken to wearing it in concerts and video clips, according to Jahan News, a website considered close to Iran's intelligence ministry.
It has also become a trend among young men, who wear it along with T-shirts incongruously bearing the names of famous western bands. Young women have also been seen with the scarf, Jahan News reported.
Its new-found acceptability was demonstrated in a recent edition of a popular cinema magazine, which carried an advert placed by an Iranian leatherwear company showing a model wearing a bomber jacket with a chafiyeh tucked underneath.
The scarf's popularity with rappers is particularly ironic. Last year, Iran's culture and Islamic guidance ministry announced a campaign against rap music, which it deemed vulgar and obscene. Rap has become increasingly popular with young Iranians, who have been inspired by the work of artists among the large Iranian exile community in Los Angeles. The genre has been used to express concerns about drugs, street gangs and even western pressure on Iran over its nuclear programme.
The links with rap are far removed from the chafiyeh's origins. After being worn by many Iranian soldiers in the 1980-88 war with Iraq, it was adopted as the symbol of "the sacred defence", as the war effort is officially called. Volunteers used the garments as prayer mats and to protect their faces from chemical attacks. They were also deployed as burial shrouds and sometimes to tie the hands of captured enemy soldiers.
Nowadays, Iran's supreme leader, Ayatollah Ali Khamenei, wears it in all his public appearances. It is also worn by members of the hardline Basij militia.
Visiting foreign dignitaries, including the Venezuelan president, Hugo Chávez, have also donned the scarf. Last year, Nicaragua's president, Daniel Ortega, was greeted with shouts of "Allahu Akbar" when he put on a chafiyeh during a ceremony at Tehran University.
Monday, February 18, 2008
Another "Soundtrack for the Next Misadventure": Abjeez
I came across this video, "Eddeaa," by the Iranian group Abjeez, while reading the blog Rough In Here, Rougher Out There. I can't understand Persian, and don't know enough about Iran to really understand the video, but I find it uproariously funny. The scenario seems to evoke early twentieth century, pre-Pahlavi, Qajar Iran. I think. Check it out for yourself.

"Abjee" is Persian slang for sister, and the band is two sisters, Safoura and Melody Safavi, plus backing musicians, and are based in Sweden. More information here.
Also check out Abjeez's very clever video, "DemoKracy," complete with English subtitles. It's a clever, humorous critique of the US neo-con use of the smokescreen of "democratization" to justify military intervention in Iraq and potentially (though now, mercifully, much less likely) Iran. Abjeez describe the video as being a response to "AIPAC is pushing us to war with Iran for Israel." In this regard, I have much more faith in Obama's willingness to talk, as opposed to bomb, Iraq, than in either McCain or Clinton.
Sunday, November 25, 2007
War Is Peace, Sanctions Are Diplomacy
Sanctions are punitive measures, not serious diplomacy, and the Bush administration has never undertaken a sustained diplomatic initiative aimed either at inducing Iran to cease enriching uranium or at soothing broader US-Iranian tensions. Meanwhile, the Bush administration’s persistent refusal to take military options “off the table,” combined with its intensified rhetoric against Iran, has made sanctions palatable to allies, as well as to some of the most dovish members of Congress and the American public -- but without addressing the political disputes that keep the US and Iran on a collision course.
Friday, November 09, 2007
Watch what you eat...
From Democracy Now!Thursday, Nov. 8.
FBI Monitored Sales At Middle Eastern Grocery StoresRead the Congressional Quarterly report here. Particularly telling is this statement:
Congressional Quarterly is reporting that the FBI sifted through customer data collected by San Francisco-area grocery stores in 2005 and 2006, hoping that sales records of Middle Eastern food would lead to Iranian secret agents. The idea was that a spike in, say, falafel sales [!!!!], combined with other data, would lead to Iranian agents in the region. The program was the brainchild of top FBI counterterrorism officials Phil Mudd and Willie Hulon. The datamining operation was eventually stopped after FBI officials determined it was possibly illegal to place someone on a terrorist list because of what they ate.
As ridiculous as it sounds, the groceries counting scheme is a measure of how desperate the FBI is to disrupt domestic terrorism plots.And worse yet, a measure of how completely uninformed the FBI is, since falafel is a mainstay of the diet in Palestine, Syria, Jordan, Lebanon, and Israel--but NOT Iran. Falafel sales are much more likely to be indicative of the presence of Israelis than Iranians...
Sunday, October 21, 2007
Soundtrack for the Next Misadventure 2: Hich Kas

Go here for some mp3s by a great Iranian rapper named Hich Kas ("Nobody"). This youtube video features the song "Ekhtelaf" and some photos of the artist. And of course, Hich Kas has a myspace page, which you should keep returning to, for new songs.
Saturday, October 20, 2007
Soundtrack for the Next Misadventure

I love the title of this post, I wish I had invented it.
I intend in future (between finishing off a couple articles and getting ready to head off for Morocco) to post other sources for music from what may be the next target of US intervention. Meanwhile, Magic of Juju is a great source for all kinds of music, including Sabah and Fairuz.
Wednesday, October 17, 2007
Kufiyaspotting #25: Ayatollah Khameini, Hajjarian hit man

I've been reading Roxanne Varzi's very interesting ethnography, Warring Souls: Youth, Media, and Martyrdom in Post-Revolutionary Iran, and came across this interesting bit:
When the meaning of sacred symbols shifts [such as the chador, conventionally worn by women who support the Islamic revolution, but now sometimes worn by young women out on dates with their boyfriends], power structures are renegotiated, as well as trust in one's own vision. An example is the Arab qafiyeh (scarf) [I have no idea why Varzi adopts such an idiosyncratic spelling]: a symbol of Palestinian resistance. The qafiyeh was first donned by Islamic revolutionaries to show support for Palestine and resistance to Westernization. Later, it became a symbol of the volunteer soldiers fighting for Islam in the Iran-Iraq war.
The qafiyeh is still worn by Ayatollah Khameini [Iran's current Supreme Leader and ex-president]. Just before the Iranian New Year in spring 2000, a hit man [Saeed Asgar] in the assassination attempt on the reformist Said Hajjarian was described as wearing a beard and a qafiyeh. Suddenly the symbol sacred to Islamic revolutionaries became descriptive of a suspect against reform. Hatamikia, a well-known film director, wrote an editorial reminding the nation that the qafiyeh is not the symbol of an assassin or murderer; and he added that it was disrespectful to emphasize this characteristic in the description of Hajjarian's would-be assassin.
Go here for a Middle East Report Online interview with Hajjarian. For another example of the shifting meaning of "sacred symbols" in Iran, go here to read about how the Islamic republic has banned the wearing of red kufiyas as badges of Arab identity in Khuzistan/'Arabistan.
The photos are of Ayatollah Khameini, one from the early eighties, the other contemporary.



