Wednesday, October 21, 2020

Nubia: the expulsion

“Hajj Elias holds picture of himself playing oud before Tahgeer [removal” [photo: Nour El Refai]

Amazing photo from an article in, "For the National Good: Casting out Egyptian Nubians," by Gehad Quisay, November 17, 2017. On the current struggles of Egyptian Nubians, but also with historical background. Egyptian Nubians were removed from their historical homeland in 1964, due to the construction of the Aswan High Dam and the flooding of their villages and farmland. The article, alas, tells us nothing about Hajj Elias.


Saturday, September 26, 2020

Echoes of Vietnam: "Cheeseburger," Sandy Bull, Hamza El Din


I only "discovered" (really, because a friend turned me onto him) Sandy Bull fairly recently.  My pal burned a CD or two of Sandy Bull for me, and then I found his 1972 Demolition Derby at a vintage record store, and of course bought it. What had intrigued me about Bull was that he was very eclectic and that his eclecticism included playing the oud, in addition to his basic folk instrument, the guitar.

I was intrigued by this note from the back of the Demolition Derby album. 



 Just a small anti-war message, from the era of massive opposition to the Vietnam War, on a modest "folk" album. When you hear the album, you hardly notice it, it's just 2 seconds long, and sounds like a scratch, or a quick movement of the needle across the vinyl.

I did some hunting around, and it turns out that the "Cheeseburger" is better known as the "Daisy Cutter," the name for the BLU-82, a 15,000 pound "conventional" bomb. According to wikipedia it was used in Vietnam to flatten a section of forest into a helicopter landing, hence the name "Daisy Cutter." (This of course was how the US military described its uses, and you can find video clips on the web that describe it in this way.) But wikipedia also tells us that it was used against the Pathet Lao and North Vietnamese troops in Laos in 1971, and by the South Vietnamese army in 1975. They were later used in the Gulf War in 1991 -- "as much for their psychological effects as for their anti-personnel effect." 

Check out what Newsweek wrote about the BLU-82 and its effects in Kuwait in 1991.

"The men of the Eighth Squadron believed that the BLU-82 bomb could send an even more powerful message. In the early-morning hours of Feb. 7, Maj. Skip Davenport's MC-130E Combat Talon cargo plane lumbered off the runway. In its belly sat the massive bomb. Behind Major Davenport, a companion plane lifted off, carrying another BLU-82 (Davenport and his wingman became known as the Blues Brothers).

The day before, their target area had been rained with leaflets warning the soldiers below: "Tomorrow if you don't surrender we're going to drop on you the largest conventional weapon in the world." The Iraqis who dared to sleep that night found out the allies weren't kidding. The explosion of a Daisy Cutter looks like an atomic bomb detonating. In the southwest corner of Kuwait that night, an enormous mushroom cloud flared into the dark. Sound travels for miles in the barren desert, and soon Iraqi radio nets along the border crackled with traffic. Col. Jesse Johnson, Schwarzkopf's special-operations commander, cabled a message back to the U.S. Special Operations Command headquarters in Florida: "We're not too sure how you say 'Jesus Christ' in Iraqi." A British SAS commando team on a secret reconnaissance mission near the explosion frantically radioed back to its headquarters: "Sir, the blokes have just nuked Kuwait!"

The next day a Combat Talon swept over the bomb site for another leaflet drop with a follow-up message: "You have just been hit with the largest conventional bomb in the world. More are on the way." The victims below didn't need much more convincing. The day after the BLU-82 attack, an Iraqi battalion commander and his staff raced across the border to surrender. Among the defectors was the commander's intelligence officer, clutching maps of the minefields along the Kuwait border. The intelligence bonanza enabled Central Command officers to pick out the gaps and weak spots in the mine defenses. When the ground war began Marine and allied forces breached them within hours." (emphases added)

It was also used against the Taliban and al-Qaida early in the Afghanistan War, in an effort to destroy cave complexes as well as to demoralize enemy fighters. It was used at Tora Bora! Last dropped, in testing in Utah, in 2008. 

What about Sandy Bull and the oud? He picked it up after he met Egyptian Nubian artist Hamza El Din in Rome in the early 60s (Hamza was studying music there at the time). They met up again in New York City, roomed together for five years, and in that apartment Hamza El Din recorded his second album, Al Oud (Vanguard, 1965) and Sandy Bull recorded his second album, Inventions for Guitar & Banjo (Vanguard, 1965). As Hamza El Din told SFGate in 2001, Bull was far ahead of his time, doing what we would term "world music" long before it became a popular genre, by the 1980s. His experimentations were not all that successful, at least in the marketplace, and his recording career was in hiatus from the mid-seventies until the late 1980s. He passed away in April 2001. (For more details on Bull, please consult the SFGate article, linked abovve.)

Wednesday, September 23, 2020

#kufiyaspotting -- Palestinian Communists in Israel

 This is from the anthropologist Sharif Kanaana's article, "Survival Strategies of Arabs in Israel," published in Merip Reports #41 (October 1975). It is based on research he conducted in Israel in 1969-70 for his dissertation. Kanaana received his PhD in Anthropology from the University of Hawaii. Kanaana began his teaching career at Birzeit University in 1975; he has since retired, I'm not sure what year.

The quote is from his discussion of what he calls the "middle peasant" survival strategy of the Arabs in Israel. (Interestingly, he does not use the term, "Palestinian," which has more recently become the preferred nomenclature: rather than "Arabs in Israel" (state language), "Palestinian-Israelis" or, "Palestinian citizens of Israel."

I'd love to find some photographs of Israel's Palestinian Communists garbed in kufiyas, from the 1950s, 60s, and 70s. If you've got a clue as to where I might find some, please let me know.

Monday, August 24, 2020

#kufiyaspotting: Roy Wood (The Move, Electric Light Orchestra, Wizzard)

Roy Wood (The Move, Electric Light Orchestra, Wizzard) sporting a kufiya, at The Village Underground, New York, March 2002. Shared at by member El Reet. Courtesy my pal Tim. (Not sure who the guy on the right is.)

Tuesday, August 18, 2020

Me at the George Floyd rally in Fayetteville

 Somehow I made it into the front page photo for the Northwest Arkansas Democrat-Gazette's reporting on the George Floyd rally in Fayetteville, held at the Town Square on June 2, 2020. In case you couldn't tell, that's me on the far left. My t-shirt says: Abolish ICE, and it's from DSA. 

#kufiyaspotting: Village Voice, June 2016

Cover of the June 21, 2016 of The Village Voice, whose Murdochization and eventual shuttering I very much regret.

#kufiyaspotting Zeina Ashrawi Hutchison & Gaza

I grabbed this off of twitter in November 2019, and I can't find the original tweet, sorry. Zeina Ashrawi Hutchison is a Palestinian American and a Bernie Sanders 2020 VA State Delegate & National Delegate to the DNC. I'm pretty sure she's got her son on her shoulders. 

Friday, August 14, 2020

#kufiyaspotting: Zebda, L'Arène des Rumeurs (1992)


The cover of the 1992 release from the great French band, Zebda. Released during the height of the Palestinian intifada. David fighting Goliath, 1992.  

Their name, Zebda, is Arabic for butter, or "beur" in French. "Beur" is slang in French for those of Arab background. The band is multi-ethnic, but its vocalists are the Beurs Magid Cherfi, the band leader, plus Hakim and Mustapha Amokrane.

For a flavor of the band, check out the first track from the album, "Arabodub."

Wednesday, August 12, 2020

#kufiyaspotting: Kobi Farhi of Israeli metal band Orphaned Land




Orphaned Land were founded in 1991, led by Jaffa-born singer Kobi Farhi. Mark Levine discusses them in his book Heavy Metal Islam, and he calls them an "Oriental death-doom metal" band. Their orientation is very much about peace, and according to Levine, they have lots of fans in the Middle East outside of Israel. Kobi is Ashkenazi, the band's lead guitarist until 2014, Yossi Sassi is Mizrahi (Libyan-Iraqi). Given their political orientation, I don't regard this use of the kufiya as appropriation, but rather a signifier of solidarity/identification with Palestinian/Arab culture. I'm not much of a metal head but I respect Mark Levine's opinion about their virtuosity. Here is a YouTube video of one of their songs, to give you  flavor of what they do.

Tuesday, August 11, 2020

USA Patriot Kufiyas: 1776 and anti-masking

I'm sorry, I didn't keep track of the source, but the first image has been posted via rightwing websites and social media outlets. It's interesting, as it combines imagery of the USA patriot of 1776, in his tricorne cap, with the kufiya, often worn by rightwing militia types in the US, as I've documented in previous posts. The second image (again, I didn't keep good records) shows some armed men, exercising their 'free speech' rights not to wear masks and to carry guns in a USA café, spring of 2020. 

#kufiyaspotting: Tim Minchin as Judas Iscariot in the 2012 Broadway Revival of Jesus Christ Superstar

Someone finally told me about this.

It appears from the images I've looked at that Tim Minchin was always garbed in a black-and-white kufiya scarf for his role as Judas Iscariot in the 2012 revival of Jesus Christ Superstar.

I guess the kufiya must have figured as a negative marker? I don't know, I've not seen the show. In any case, here are a couple photos of Minchin in his Judas role. 

Wise Men (Christmas) -- Sudanese cartoonist Khalid Abaih

 From his book, Khartoon.

Help Lebanon by Buying Some Rare Lebanese Music

Habibi Funk is offering some rare tracks by Lebanese artists, with 100% of the profits going to the Lebanese Red Cross. This is a great chance to get your hands on some rare and very good Lebanese music and help out Lebanon, which very much needs our assistance. Music by Rogér Fakhr, Ferkat El Ard, Toufic Farroukh, Munir Khauli, Abboud Saadi and Force. To download, and to read more about the musicians, please go here

And in case you want to donate straight to the Lebanese Red Cross, go here.

Thursday, July 16, 2020

#kufiyaspotting: Lupita Nyong'o on The Late Show, 2016

Not sure what this very African-looking kufiya wearing was all about, but here it is. 
Mexican-Kenyan actress (12 Years a Slave) and author Lupita Nyong'o, appearing as a
guest with Stephen Colbert on The Late Show, September 28, 2016.

Here's the link, if you want to watch the episode.

Sunday, March 15, 2020

Good luck, Bernie!

Here's wishing Bernie Sanders the best of luck tonight (March 14, 2020) in his debate against Joe Biden. The photo shows him bunting (and now doubt it was successful, and drove in the winning run), but personally, I'm hoping tonight for a grand slam.