The fate of art in the Middle East: two comments

"One day, the war will end and I will return to my poem" 

from Kifah H. Alim

Not sure who the artist is for this one

Egypt's Jon Stewart: Bassem Youssef Show

Bassem Youssef (r.) at Tahrir Square (April 12, 2011 episode)

I love how much coverage Egypt is getting in the US media. Positive coverage.

Here's NPR's report on Bassem Youssef.

Here's his Youtube channel. Here's another story on Bassem from the Daily Beast. Enjoy.

Novelist Claire Messud on Palestine

Novelist Claire Messud recently attended the Palestine Festival of Literature in the West Bank, and she just published a wonderful essay about her experiences here. She captures beautifully the dreadful reality of daily life--which I experienced last summer during my two weeks there as well. (I found this thanks to Angry Arab.) Please read the entire piece. I reproduce an excerpt below:

The Ramallah-based architect and writer Suad Amiry put it best when she explained that to be Palestinian now means never to feel at home, because you have no control over time or space. You can live a lifetime in one place and yet not master its geography: routes long-familiar will suddenly be blocked off by barriers or checkpoints; while open spaces in the middle-distance will sprout settlements almost overnight, vast urban conglomerations that change the landscape altogether. You can live a lifetime in one place and yet never know how long it takes to get anywhere: a mere 20-mile journey might consume a whole day, depending on the checkpoints and the whim of the soldiers you encounter. You might never get there at all: you could well be turned back.

I read Claire Messud's 1999 novel, The Last Life, which is about a French pied noir family. (Messud's father was one, a French settler in Algeria.) I didn't much care for it because I felt it really didn't grapple seriously with the French colonial past in Algeria. Based on this essay, I'm going to have to revise my opinion, and maybe check out The Emperor's Children (soon to come out as a movie directed by Ron Howard).

Culture Notes on #iranelection 3.7 + MJ

1. Hich Kas, who is perhaps Iran's best known rapper, showed up recently on The Daily Show--in Jason Jones' three-part account of his recent trip to Iran. We get to witness Hich Kas' remarkable skills, and he proceeds to tell Jones that he raps about street issues, social issues, moral issues. What about the guns, hos, bitches? says Jones. Jones then "teaches" Hich Kas about rap by performing a hilariously shallow rap. Hich Kas laughs but says that Jones' "meter was not good."

Jason Jones' Iran series, btw, was the best work JJ has done ever.

The Daily Show With Jon Stewart	Mon - Thurs 11p / 10c
Jason Jones: Behind the Veil - The Kids Are Allah Right
thedailyshow.com
Daily Show Full Episodes Political Humor Jason Jones in Iran

For more Hich Kas music, go here. And search for him on youtube: lots of vids.

2. Alexander made a comment on my previous post, with regard to Mohsen Nimjoo:

...one thing to keep in mind about Namjoo is that unlike Bob Marley and Fela Kuti (who are pretty unanimously revered in their home countries, as far as I'm aware), he has not reached that level of popularity and is not uniformly loved. I was surprised to see Mousavi use a Namjoo song in his campaign advertising, mostly because a lot of the older generation (the ones who have heard of him, anyway) don't like Namjoo and feel that he butchers traditional Iranian music. I am sure that Mousavi wanted to reach out to the young, but he could have used a less divisive figure.

Thanks for that information, Alexander--I heavily depend on Iranian friends and informants, because I am no Iran expert. To clarify, the reason I prefer to compare Namjoo to Marley and Fela rather than to Bob Dylan is that the former all mix "Western" and "non-Western" forms of music in amazing ways. Namjoo, however, reall goes all over the place with his borrowing of Western genres. Check out "Jorah-Baz" from his Toranj album, for instance. It opens with the riff based on Muddy Waters' "I'm A Man," complete with blues harmonica and slide guitar. And then takes the song somewhere else.

Listen to it here:

Get this widget | Track details | eSnips Social DNA

Here is the clip made for Mousavi's campaign, Namjoo's remix of Mohamed Reza Shajarian's "Hamrah Sho Aziz." Namjoo was one of many Iranian artists who came out in support of Mousavi's campaign for president.



3. Now for MJ. And there are some Iran connections. As many have noted, Michael Jackson was truly a global star. Some of my Iranian friends recall that MJ provided their soundtrack during the early years of the Islamic Republic of Iran (IRI). And here's some evidence, from Marhane Satrapi's acclaimed graphic novel, Persepolis. (Thanks to Hegar for providing this.)


4. MJ was popular in Iraq too. Among prisoners incarcerated by the US military, post-2003. Jonathan Pieslak, author of Sound Targets: American Soldiers and Music in the Iraq War, is featured in the latest New Yorker's Talk of the Town. He tells Lauren Collins that US "soldiers would use [heavy metal band Drowning Pool's song "Bodies"] both to get pumped up for battle and 'to induce irritation and frustration among detainees.' (The detainees, apparently, preferred ’N Sync and Michael Jackson.)"

And, if we can credit the film The Three Kings, Michael Jackson was also favored by Saddam's interrogators. Check out this unforgettable scene from the movie, where Iraqi interrogator Captain Said (played by Said Taghmaoui) educates Sgt. Troy Barlow (Mark Wahlberg) about why Michael Jackson disfigured his face. (Thanks, Elliott.)



5. Pakistan, too. Check out this scene from Pakistani comedy show "Fifty Fifty." (Thanks, Iftikhar and Nila.)



6. And then there are the rumors about Michael Jackson being a Muslim, which run rampant in the Muslim world. For some reason, such rumors spread about certain Westerners. Two I think of off-hand are Neil Armstrong and Jacques Cousteau (untrue in both cases). When it comes to Michael, of course, the rumors are fueled in part by the fact that (a) he took up residency in Bahrain in 2005 and (b) that his brother Jermaine did convert to Islam in 1989.

Ali Eteraz does a good rundown of the rumors, which he puts to rest, inshallah, here.

Whatever god(s) you did or didn't worship, Michael, RIP.

More on culture/#iran election

First up, a youtube video from Iranian rapper Salome, whom I learned about courtesy of Mark Levine's Heavy Metal Islam. And thank God I did, for she is a terrific rapper. I embedded the video in my earlier post about my Interzone Radio "All Iran" show, but I wanted to say more about it.

The song, "Dad Bezan Sedat Berese (Scream to Let Your Voice Be Heard)," was written in response to, and in criticism of, Israel's recent assault on Gaza (December '08-January '09). It provides evidence that the young people of Iran, who are the main social force sustaining the current political mobilization, are not simply Westernized elitists. There is no reason to expect that love for Israel will be unleashed if the forces represented by the Opposition movement comes to power.

It occurred to me a few days ago that supporters of Palestinian and Iranian rights should start wearing green kufiyas to express solidarity with both movements. I posted this random thought on Facebook, and guess what? My niece, who lives in New York City, posted me a few hours later that she was at an Iran rally (June 21), and had spotted a green kufiya. A bit later she posted on Facebook that she had seen another. Let's get this trend going!

More anecdotal information: A friend who recently returned from Iran wrote me this:

On Saturday (the day after the election), I was at a demonstration and when the riot police showed up on their motor bikes, someone in the crowd yelled "the Israelis are here, run!" Also, two different people mentioned to me that "they [the authorities] have turned Iran into Palestine."

2. Here's another music video, brand new, from the Iranian group Abjeez and Congo Man Crew (thanks, Negar).



The song, "Biyaa," features footage of the recent demonstrations in Iran. "A song dedicated to the courageous people of Iran, in support of freedom and Unity!", Abjeez writes on their Facebook page.

Abjeez ("sister" in Persian slang) are, surprise, two Iranian sisters, Safoura and Melody Safavi, based in Sweden. More info is available here. I've posted about them previously. Check out their other videos, on youtube and elsewhere, they are very clever and the music is terrific. Download the song here. I hope that an English translation is forthcoming.

3. For those looking for more Iranian music in a modern vein, I highly recommend Mohsen Namjoo's album Toranj, which is available from emusic. A good article about Namjoo is here. But I cringe at the Bob Dylan comparison--too easy--and think he should be more properly thought of as Iran's Bob Marley or Fela Kuti.

Namjoo's official homepage is here.

And you can even become a Namjoo 'fan on' Facebook, if you like.


4. Some short notes:

Four of Iran's soccer players have now been "retired" from the sport, after they wore green in their match last Wednesday with South Korea.

Renowned Iranian filmmaker Mohsen Makhmalbaf recently released a statement on Iran. Watch it here (with an English translation).

We have found each other again. Even with all the violence happening in Iran, the Iranian people are more kind to each other now. For example, some put their motorcylces on fire, destroy their vehicles, so the fuels of their vehicles suppress the effects of the tear gas. They are defending each other. Around the world, we see that people have put their differences aside.

MERIP issued a news release yesterday protesting the arrests of writer and filmmaker Maziar Bahari and reformist intellectual Saeed Hajjarian. (It's not available online.)

Bahari is a veteran reporter who has covered Iran for the BBC and Newsweek. Hajjarian was formerly a top adviser to former President Mohammad Khatami. As he was shot by right-wing vigilantes in 2000 and has been physically disabled since then, MERIP is deeply concerned about his health while in detention.

"Bahari and Hajjarian would be the first to note that their arrests are only two among hundreds, if not more," commented Shiva Balaghi, an editor of Middle East Report, where the work of the two writers has appeared. There are several reliable reports of torture and other maltreatment in Iranian prisons.

Bahari's film "Football, Iranian Style" was reviewed by Shiva Balaghi in Middle East Report 229 (Winter 2003). The review is available online at: http://merip.org/mer/mer229/balaghi.html

Hajjarian was interviewed in 2000 about Iran's "reformist moment" by Kaveh Ehsani. The text of the interview is accessible online at: http://www.merip.org/mero/mero031300.html.

More to follow...Stay tuned.

More on culture and #iranelection: Shajarian, Makhmalbaf/Mousavi, Iranian rap and metal, Khamenei's kufiya trim

1. I've tracked down the context in which renowned Iranian singer Mohammad Reza Shajarian asked the Iranian state radio to stop broadcasting his songs. I quote some excerpts from an article in The Guardian on Thursday:

When it was uttered it was meant as a ­biting put-down to the thousands who dared to question his re-election as president of Iran.

"The nation's huge river would not leave any opportunity for the expression of dirt and dust," said Mahmoud Ahmadinejad in a rather elliptical reference to the surging protests on the streets of Tehran...

But, just as street protests the world over seize upon a poignant image to convey their message, so Ahmadinejad's contemptuous phrase "dirt and dust" has entered folklore and provided a focus for the rage of the protesters.

So far it has inspired pithy slogans, blog headlines, posters and a litany of insults throwing the president's words back in his face. "Dirt and dust is you, it is you who are the enemy of Iran," one chant goes. Another frequently-heard slogan has been: "We are not dirt and dust, we are Iran's nation."

The phrase (khas o khashak in Farsi) has become a badge of pride. Etemad-e Melli, a reformist newspaper, carried a huge picture on yesterday's front page showing marchers carrying a banner bearing the slogan, Epic of Dirt and Dust. The offending words were written in green, the colour adopted by Mousavi's campaign.

It has also prompted a high-profile protest from one of Iran's most famous singers, Mohammad Reza Shajarian, who asked the state broadcaster IRIB – controlled by Ahmadinejad supporters – to stop playing his songs because he believed the insulting reference included him.

"I emphatically ask IRIB not to broadcast my voice because this is the voice of dirt and dust and will always remain so," he told BBC Persian.

My friend Shiva tells me that Shajarian has been participating in the protest marches in Tehran this week as well. I've seen him perform in New York, with Hossein Alizadeh and Kayhan Kalhor (with Shiva), and I highly recommend buying any of his recordings, because it is great music, and you get to show support for a progressive artist.

2. Iranian film director and Mousavi spokesperson Mohsen Makhmalbaf issued a statement on behalf of Mousavi yesterday, published in The Guardian. In it, he refers to Mousavi's relation to the arts scene in Iran--as mentioned in my previous post:

Before the revolution, Mousavi was a religious intellectual and an artist, who supported radical change but did not support the mullahs. After the revolution, when all religious intellectuals and even leftists backed Khomeini, he served as prime minister for eight years. The economy was stable, and he did not order the killings of opponents, or become corrupt.

In order to neu[t]ralise his power, the position of prime minister was eliminated from the constitution and he was pushed out of politics. So Mousavi returned to the world of artists because in a country where there are no real political parties, artists can act as a party. The artists supported Khatami and now they support Mousavi.

Previously, he was revolutionary, because everyone inside the system was a revolutionary. But now he's a reformer.

3. Mark Levine, author of Heavy Metal Islam, is blogging about hip hop and heavy metal artists in Iran and their thoughts about the current protests. He's constantly updating the post, so keep checking back. Mark also links to the galleys of his chapter on Iran in Heavy Metal Islam, if you are interested in more background.

Mark also observes the following:

one of the main complaints i'm getting from friends in iran is that they are getting hardly any support from the arab world. ahmadinejad is very popular there bc of his 'standing up' to israel and the US (in my mind, it's more like professional wrestling--the iron sheikh vs sargeant slaughter) and no one caring what it actually means to live under the current system. i'm working on a piece now on how hosni mubarak must be viewing what's happening here. it's hard to imagine the egyptian people putting up with another sham election in their country after the courage displayed by iranians. but it is true from what i can tell that support for the iranian people from the arab ngo/activist sector has been relatively weak. if anyone has good examples to the opposite, please send them my way.

I too would be interested in comment on that subject. What is opinion in the Arab world?

4. Finally, when Ayatollah Ali Khamenei delivered his speech yesterday calling on supporters of the opposition to end their protests, and asserting that there was no vote rigging or cheating in the elections, he wore a robe trimmed with the pattern of the black-and-white kufiya. Reasserting, then, that he and Ahmadinejad are the Iranian representatives of the sacred cause of Palestine. As noted previously, some of the protesters are contesting this. Just as they are contesting the ownership of the slogan of the Iranian Revolution, "allah-o akbar."