Showing posts with label Muslim. Show all posts
Showing posts with label Muslim. Show all posts

Monday, February 27, 2017

Yes, Maharshala Ali is a Muslim -- an Ahmadi Muslim

Many are trumpeting the fact that Oscar winner Mahershala Ali (Moonlight) is a Muslim, but not noting that he is Ahmadi. For background on the important role that African-Americans converts to the Ahmadi brand of Islam played in jazz, you should check out Hisham Aidi's book Rebel Music. A few of the more illustrious names: Yusef Lateef, Ahmad Jamal, Art Blakey, McCoy Tyner, Abbey Lincoln, Ahmed Abdul-Malik. Yusef Lateef and McCoy Tyner were Grammy winners and Art Blakey elected to the Grammy Hall of Fame. 

Grammys: way ahead of Oscars when it comes to honoring US Muslims and their contribution to the cultural life of the country.


On a side note: articles about Mahershala Ali that have appeared over the last few months often leave out his important role in Free State of Jones. It is an excellent film that was too quickly trashed as a "white savior" narrative. I think this is a bad misreading of the film and the events that it deals with. If you think I'm wrong, then please read Cedric Johnson's review, published here. Johnson argues that
Free State of Jones "may be the most politically important film about the Civil War and its aftermath to appear in a quarter century."

One more side note: Mahershala Ali's grandparents were Communists, and his grandfather was fired from his job at the navy yards in Alameda because of it. 



Sunday, January 31, 2016

Supermodel Gigi Hadid, Palestinian (and the kufiya proves it); Zayn Malik's "Pillowtalk"

Supermodel Gigi Hadid has been coming out as Palestinian (or, half-Palestinian--her mother, Yolanda Foster, is Dutch, her father is real estate developer Mohamed Hadid), ever since December 2015, and her Palestinian-ness has been getting a lot of attention in the media, as reported by Khelil Bouarrouj on the blog of the Institute for Palestine Studies. Gigi's instagram photo of her (and her girlfriends') henna'd hands is what prompted all the attention, but she has also posed in a Coco Chanel designed kufiya-styled top. (More on Chanel's kufiya-styled line in a future post!)


I hope Bouarrouj is correct in his optimism that it's good for Palestinians when some high-profile figures like Gigi celebrate their heritage.

Meanwhile, Gigi's boyfriend (or is he?) Zayn Malik (ex-One Direction) has a new single "Pillowtalk" that was (from January 28-29) at position #1 on the Billboard + Twitter Trending 140 chart. Zayn Malik's dad is British Pakistani. In Zayn's video he is snoggling with the half-Palestinian Gigi Hadid. Both of 'em are blonde -- is this how "Muslims" subversively penetrate mainstream Western popular culture? The vid was only released on January 28, and as of this posting on January 31, it had over 23 million views. So I guess it's rather popular. What does it say when people named Malik and Hadid sit at the commanding heights of US-Euro popular culture? What do people who click on that YouTube video think of Donald Trump's Islamophobia?


UPDATE February 1: I've been informed that the reason Gigi was wearing that kufiya-themed outfit was that she was flown in to Dubai to showcase it for the Chanel resort collection. Nothing at all to do with Palestinian pride. (Thanks, Mezna!)

Monday, October 06, 2014

El Haqed in Aljazeera

The Moroccan rapper, El Haqed, recently released from prison for the third time, published an opinion piece today (October 6) in Al Jazeera (English) -- it's translated from French and English by Mark Levine.

He writes:

In 2007, a new kind of rap began to spread, with roots in groups like H-Kayne who rapped about social but not quite political issues. It was authentic rap, not imitating anyone. These dangerous ideas led the system to try to shut us down, put us in a big prison so to speak, a prison for ideas and freedoms to try to hem in our dangerous ideas...
 
And so we called our rap ar-rab muhabsi - "prison rap" - rap that expresses reality and sings about freedom, breaking down the borders and chains. We need to understand the power of prison rap in the context of most rappers being little more than marionettes, wholesale puppets of power. You can count the number of truly political rappers on one hand. And yet, the small number makes our music that much more powerful. The intellectual and cultural prison only made our music more powerful. The state still doesn't get that.

I learned at a workshop this past weekend that, in fact, you can in fact count the number of Moroccan political rappers on one hand. In fact, there are three--El Haqed, Hoba Hoba Spirit, and Muslim--who truly support the Moroccan revolutionary movement. The rest, while they deal sometimes with social issues, scrupulously avoid politics.

Thank gods for El Haqed!

P.S. October 7. Hisham Aidi adds (via twitter) that perhaps there is one more 'revolutionary' Moroccan rapper: Sí Simo of Fez City Clan -- but he raps more about poverty than politics.

P.S. October 11. Please check out this article in Jadaliyaa (Oct. 7) by Jessica Rohan, on the Mawazine Festival. She provides a discussion of rappers, including El Haqed and Muslim, and their positioning in relation to pro-regime rap stars like Bigg and Cheikh Sar. And she provides a link to a song by Sí Simo called "Kilimini," a song about social inequality in Morocco. Rohan tells us that kilimini  man is a "recently-coined slang term for wealthy Moroccans." It literally means “he eats from me,” "suggesting the elite gained their wealth through corruption" and also connotating shallowness.

http://youtu.be/bEV0s0tWZ6E

Wednesday, January 02, 2013

Sunny Ali and the Kid - MUSLIM RAGE #drones

they're runnin but there's
drones up ahead
drones in your bed
drones in your home
drone give me head
drone give me dome
preacher preacher
leave them kids alone


More on Sunny Ali and the Kid here.

Wednesday, November 02, 2011

Mos Def to change his name to Yasiin in 2012


Mos Def (born Dante Smith), one of the most visible and well-known of today's rappers (but not one of the most productive, in terms of sheer quantity of recorded output), will change his name to Yasiin, starting in 2012. He converted to Islam (he is a Sunni, i.e. orthodox as opposed to Nation of Islam or Nation of Gods and Earths) as a teenager. He has stated, regarding the name change, that "[I don't want] to deal [any more] with having any moniker or separation between the self that I see and know myself as." I read this as meaning, he wants to be more open about his Muslim faith and identity.

I have written in the past that Mos Def has been spotted in a kufiya, but I've not found a photo, ever. My source was a piece in Kabobfest -- but there is no photo. We do have this evidence, from his song "War" (on the album The New Danger, 2004), that Mos Def did/does have some appreciation for the condition of the Palestinians:

But for now I'm a soldier abidin' my time
Writin' my rhyme behind enemy lines
Palestine, Kosovo, Kashmir
No different than the avenues right here

(Funny, Kashmir is usually spelled Cashmere, if you hunt for the transcription of these lyrics on line. C'mon, folks, learn some geography and history from our man Mos Def, soon to be Yasiin.)

I like the look he has in the photo above (courtesy GQ): it's kinda snappy NOI (the bowtie) and devout Sunni (the kufi) at the same time.

Were Kufiyas Used to Incite Fear of Attica Uprising, September 1971?

I meant to post something on the Attica massacre on the 40th anniversary of the event. I was living in New York City, and participated in a demonstration on the day that it happened, Monday, September 13. The demo got rather wild, we were marching in the street without a permit, people were very mad, and there was a bit of "trashing." There was also a big demonstration on the weekend, probably Saturday, September 18, that I attended as well. During that week, with 3 other friends, I also participated in a "tagging" of the Metropolitan Museum of Art. Our tag: "Pig Rockefeller, Attica Murderer." The New York Times published a photo of our tag a few days later. I have a note to myself to find a copy on microfilm and reproduce it. All this by way of saying that the Attica events were something that I and thousands of other US progressives felt very intensely about.

I was pleased to see that the New York Times published an excellent article on Attica, by Sam Roberts, on its 40th anniversary. I was also, again, incensed by what had happened, and felt that our description of New York governor Nelson Rockefeller as a pig murderer, was absolutely spot on. The complaints of the prisoners, who demanded better living conditions, were very justified. 29 inmates and 10 prison-guard hostages were shot in the course of the assault ordered by Rockefeller, all killed by New York State troopers. Prisoners were tortured and harassed without mercy after the prison was retaken. Roberts reports, based on recently published logs of phone conversations, that Rockefeller told President Richard Nixon that it was a "beautiful operation." Nixon, with his typical bluster, told Rockefeller “The courage you showed and the judgment in not granting amnesty, it was right, and I don’t care what the hell the papers or anybody else says."

Perhaps these photos, widely printed in newspapers at the time, played a part in the attempt to orchestrate mainstream sentiment against the inmates at Attica, mostly African-American, who had taken hostages.


This iconic photo featured pictures of those seen as representing the main actors, published in a round-up on the events in Attica on Sunday, September 19, 1971, in The New York Times.


It's cropped from this photo, also a widespread image at the time.


As was this one.

It's telling, don't you think, that, out of the 1,000 or so prisoners at Attica who participated in the uprising (the institution housed about 2,200 at the time), African-Americans in what looked like Arab headdresses were made so iconic?

We can speculate about what this was about. Progressive African-Americans had long felt a sense of solidarity with the Palestinians, particularly during the late sixties and early seventies, at the high point of guerilla activity by the Palestinian resistance movement. On the other hand, given that it was very hot in Attica, and that prisoners were in the yard in full sun during the days, it would have made sense to fashion head coverings to protect against the sun. (I remember that reports at the time said that, towards the end, the prisoners were short of water and very thirsty, and hence very tense.)

Another piece of the story may have to do with the fact that prison officials believed, or at least claimed to believe, that Muslim prisoners were responsible for organizing the uprising and for threats to the prisoners. There were, of course, considerable numbers of Nation of Islam adherents at Attica Prison, as well as members of the Moorish Science Temple, and the Nation of Gods and Earths (Five Percenters), as in all prisons with substantial African-American populations at the time. Members of each of these groups were active in the uprising. Non-recognition of their religious rights was an important motivation for their participation in the prison movement. Muslim prisoners were not permitted to hold religious services at Attica, and "any assembly in the prison yard of more than three Muslims was punishable by solitary confinement." One of the negotiators brought in, at the request of the prisoners, was Nation of Islam representative Louis Farrakhan. Of the five man committee negotiating on behalf of the prisoners, one (Carl X. Blyden) was a member of the Nation of Islam and two (Carl Jones-El and Donald Noble) were members of the Moorish Science Temple. When the prison was retaken, the Muslim prisoners (but accounts that I've seen don't distinguish between the NOI, Moorish Scientists and Five Percenters) were singled out for special retaliation on the part of the guards. It turned out that, in fact, the Muslim inmates (again, which "Muslims" is not clear) played a major role in protecting the hostages from other inmates.

Are the iconic Attica prisoners in the photos wearing what look like makeshift kufiyas in fact Muslims (of the Five Percent, Moorish Science or Nation of Islam persuasion)? Who knows? Did these photos play a role in inciting mainstream fears of the dangers that "radical" Black Muslims posed in the Attica uprising? Likely.

Wednesday, July 22, 2009

The Kominas: National Tour (+kufiya bonus)

Taqwacore icons The Kominas are going on national tour! Go see them: all reports of live sightings are very positive. This is the latest, updated poster, fresh off the (virtual) press.

This is the first iteration of The Kominas tour poster. Which do you prefer? (Forgetting the fact that the second is the 'correct' version. Whichever you choose, you must admit that The Kominas really have the image thing going on.

And the kufiya thing going on. (This photo is from their Facebook page.)


Other Kominas and taqwacore-related items that I've come across of late (mostly, in fact, courtesy of The Kominas).

##A video of highlights of the 2007 Taqwatour, with The Kominas, Al-Thawra, Omar Waqar, Vote Hizballah, and The Secret Trial Five.

@@A report from The Guardian on a new book (The Taqwacores: Muslim Punk in the USA) featuring photographer Kim Badawi's images of Islamic punk bands, from 2005-07.

%% The Kominas have recorded a new track, "Blackout Beach," which was featured in a new play, "Water Board: A Play About Torture," which is being performed today at the YMCA Theater, Cambridge, MA. (Please read about it--I can hardly stomach it myself.) You can hear the song on The Kominas myspace page--or if you're a "fan," on Facebook.

^^A long trailer for the film, Taqwacore: The Birth of Punk Islam.

&& Watch The Kominas practice. With trumpet. They keep putting out these clips, so stay tuned.



I just got hold of John Lennon's The Lost Home Tapes 1965-1969. It's cool that we can have access to The Kominas home tapes almost instantaneously. Not that The Kominas are The Beatles, but Shahjehan Khan does bear a resemblance to John Lennon.

^^Nice interview with The Kominas. The word means "scum" in Urdu. They explain their humor. And their politics. "Shariah Law in the USA." Taqwa: Terrorists Are Quite Well Adjusted.



Again, be sure to go see The Kominas if they are playing anywhere near you. Hopefully their next tour will swing by NW Ark.

Tuesday, March 03, 2009

Muslims are all over...

Three random indicators:

1. Did you catch this? Snoop Doggy Dog has reportedly joined the Nation of Islam. He appeared this past weekend at the NOI's annual Saviours' Day convention in Chicago, which commemorates the birth of NOI founder and God, Master Fard. According to The Guardian, he explained his actions as follows: "I'm an advocate for peace. I've been in the peace movement ever since I've been making music," he told followers. "My whole thing is not about really trying to push my thing on you. It's just about the way I live, and I live how I'm supposed to live as far as doing what's right and representing what's right. That's why I was here today."

The photo (Charles Rex Arbogast, AP) shows Snoop in suit and tie, greeting Minister Louis Farrakhan.

2. The new season of the TNT show "Saving Grace," starring Holly Hunter, started last night. The premise of the show is that Hunter's character (Grace Hanadarko) is in need of salvation, and that an angel named Earl appears to her all the time, in pursuit of that mission. So, on some level, this is a quintessentially "Christian"--albeit terribly quirky--show. Interesting then that the theme song for this show about salvation is written and performed by Everlast, a devout Muslim (Sunni, not Nation of Islam).

3. And then, to repeat the previous post, The Roots (two Muslims, of sorts), as house band on Late Night with Jimmy Fallon. On the first show, last night, The Roots sounded very hot, and were featured prominently. (No kufiya, alas, around ?uestlove's neck.) Watch the opening here:



Ubiquitous. Mainstream. Time for more recognition.

Thursday, March 13, 2008

The Kominas' "Wild NIghts in Guantanamo Bay"

Very exciting news (Thanks, John!)--the groundbreaking taqwacore ("Islamic punk") band, The Kominas, have finally released their first CD, Wild Nights in Guantanamo Bay. I've not yet heard it (it was only released on March 10), but you can listen to some of the songs that appear on it, like "Suicide Bomb the Gap" and "Sharia Law in the USA," on The Kominas' myspace page. I'm especially partial to the latter. Unfortunately, you can no longer download their material for free. So buy the album here.

More info on The Kominas is available from wikipedia. It states that the group is on "gigging hiatus" because bass player Basim is currently in Pakistan. Don't know whether that is true. I hope not for long.

And don't you just love this cover?

(Earlier Kominas posts here and here.)

Wednesday, January 02, 2008

Gayhane: Gay disco in Berlin for Turks and Arabs

Nicholas Kulish reports, in an NYT article entitled "Gay Muslims Pack a Dance Floor of Their Own," on a monthly event known as "Gayhane" at a Berlin disco. But why give the article the title, "Gay Muslims"? No doubt many of those who participate consider themselves Turks or or Kurds Arabs or Turkish-Germans or Berliners?

The monthly club is organized by the transgendered Fatma Souad (pictured), who started throwing the events in 1997. What's the music? Amr Diab and Cheb Mami are popular. One of the dj's, Ipek Ipekcioglu, "spins everything from Turkish and Arabic music, to Greek, Balkan and Indian, a style she calls Eklektik BerlinIstan."
The article leaves the unfortunate impression, however, that the young men and women who participate in Gayhane ("hane" means home in Turkish) would be "killed" if their families knew, but it also shows that homophobia isn't just a phenomenon peculiar to Middle Eastern communities in Germany. "[H]omophobia is also higher among Russian immigrants and in other, less urban parts of Germany," according to social psychologist Bernd Simon.

Gayhane of course is not a "new" phenomenon. Please check out this article from 2004, from AFP, whose title is "Gay Turks [as opposed to "Muslims"] Tearing Down Walls in Berlin," and which usefully discusses racism within the German gay community.

Wednesday, June 13, 2007

Newsweek on Islamic Punk


Glad to see that Islamic punk is getting more coverage and visibility. I've not heard all of the groups discussed here, but highly recommend Kominas (homepage here, myspace page--with mp3s--here). Have only just heard it, but I really like their song, 9000 miles, a ska number with some dhol beats. I read Michael Muhammad Knight's The Taqwacores soon after it came out, loved it, but never imagined (until Mike told me otherwise) that there really was a taqwacore "scene." (Hope I can make it to ISNA for the taqwacores concert!) Check out the Newsweek article itself for more photos and to hear the Kominas' "9000 Miles."

(But never forget the original Muslim punk: Aki Nawaz of Fun'Da'Mental, who started his career as drummer for Southern Death Cult.)

Slam Dancing for Allah

Muslim punk rock—it's not as bizarre as it sounds.
By Matthew Philips
Newsweek, June 11, 2007

It's near midnight in a small Fairfax, Va., bar, and Omar Waqar stands on a makeshift stage, brooding in a black tunic and brown cap. He stops playing his electric guitar long enough to survey the crowd—an odd mix of local punks and collared preps—before screaming into the microphone: "Stop the hate! Stop the hate!" Stopping hate is a fairly easy concept to get behind at a punk-rock show, and the crowd yells and pumps its fists right on cue. But it's safe to say that Waqar and his band, Diacritical, aren't shouting about the same kind of hate as the audience. Waqar wants to stop the kind that made people call him "sand flea" as a kid and throw rocks through the windows of the Islamic bookstore he worked at on 9/11. Waqar, 26, the son of a Pakistani immigrant, is a Muslim—a punk-rock Muslim.

Muslim punk rock certainly sounds like an oxymoron, especially since fundamentalist Muslims condemn all music as haram (forbidden). But Diacritical is one of about a dozen Islamic punk-rock bands throughout the country, bands with names like Vote Hezbollah, the Kominas ("bastards" in Punjabi) and Al-Thawra (Arabic for "the revolution"). The bands vary in sound, polish and success: the Kominas' funk-infused Bollywood songs have been on rotation on the BBC, while sounds of explosions and gunfire punctuate Arabic chanting on the MySpace page of Al-Thawra. But they're alike enough to tour together this summer, ending Labor Day weekend in Chicago at the usually staid Islamic Society of North America's annual conference. Muslim punkers call their brand of music taqwacore—a blend of the Arabic word for piety, taqwa, and "hard-core," the English word for musicians who want to be taken very seriously. "The Prophet Muhammad was all about smashing idols," says Michael Muhammad Knight, a Muslim convert whose 2003 novel "The Taqwacores" is a manifesto for the Muslim punk movement. "And what's more punk rock than that?"

Punk has always been home to the marginalized and angry, led by the Sex Pistols and the Clash in Britain and the Ramones across the pond. But Muslim punk rockers are fighting a two-sided establishment: one side West, the other Middle East. To them, the war on terror is unequivocally a war on Islam, but they're equally infuriated by Islamic fundamentalists and the bloodshed they foment against Westerners as well as other Muslims. "It's not like I'm choosing sides," says Kourosh Poursalehi, 18, who wears a denim vest with a print of Ayatollah Khomeini on the back—for the shock value. "To me they're both wrong. Bush with the war is doing horrible things, but there's not a person in my family who's happy with the Islamic revolution in Iran." These punks are the first generation of American-born Muslims; their parents came to the United States in the 1960s, '70s and '80s. They grew up just like most kids their age—playing videogames and listening to music. But in their midteens and early 20s, they suddenly had to come to terms with their dual identities. "It was 9/11 that first made me conscious of my ethnicity," says Shajahan Khan, 23, the son of Pakistani immigrants who grew up outside Boston. The day after 9/11, a classmate asked him what his people had done. "I was like, 'What people? My people from Cambridge or Boston?'" says Khan, guitarist of the Kominas.

Admittedly, these Muslim punks aren't especially devout, at least in the traditional sense. None goes to Friday prayers regularly, but they all say they're deeply spiritual. To them, Islam begins and ends with one's personal relationship with God. After a recent show at a Manhattan bar, Waqar felt the urge to pray. "I went into the men's room, got down on the nasty floor and started praying," he recalls. Nothing says Muslim punk rock more than searching for Allah on the floor of a nightclub bathroom.

(Photos are of the Kominas, and taken from their official website. Earlier post here. Check out Diacritical's myspace page for the group's reaction to being called Islamic punk--they say, not.)