Sunday, June 17, 2007

Benefit Album for Palestine?

The recent release of Instant Karma: The Amnesty International Campaign to Save Darfur got me thinking about why it is that, as the occupation of the West Bank enters its forty-first year, there has never been a comparable benefit album for Palestinians. Why is it that "progressive" pop artists are so timid? Benefit albums for HIV/AIDS victims, for the ethical treatment of animals, for Bengla Desh, against hunger, for Tibet. But Palestine: taboo?

I began to wonder whether one could assemble an imaginary tribute album using tracks already recorded by well-known artists? Unfortunately, I can't think of many. Here's a start, a work in progress.

1. "War Crimes," The Specials (In the Studio, 1984), written by Jerry Dammers.

From one of Britain's best two-tone ska bands, a song about the Sabra-Shatila massacre of 1982. Here are the lyrics.

Bombs to settle arguments, the order of the boot
Can you hear them crying in the rubble of Beirut?

I can still see people dying, now who takes the blame?
the numbers are different, the crime is still the same

From the graves of Belsen where the innocent were burned
To the genocide in Beirut, Israel was nothing learned?

I can still hear people crying, now who takes the blame?
The numbers are different, the crime is still the same

Bombs to settle arguments, the order of the boot
From the graves of Belsen, to the ruins of Beirut

I can still see people dying, now who takes the blame?
The numbers are different, the crime is still the same

(Jerry Dammers has publicly come out in support of the campaign against the apartheid/separation wall.)

2. "PLO Style," Method Man, Tical (1994)

Method Man only invokes the PLO metaphorically, but it's great song nonetheless.

P.L.O. style, Buddha monks with the Owls...
The street life is the only life I know
I live by the code style it's mad P.L.O...

Iranian thoughts and cover like an Arabian
Grab a nigga on the spot and put a nine to his cranium"

Classic Wu!

3. Simon Shaheen & Qantara, "Olive Harvest," Blue Flame (2001).

This instrumental, composed by New York-based Palestinian 'ud and violin master Simon Shaheen, is based on Shaheen's memories of the olive harvest in his native village of Tarshiha, in the Galilee (one of the villages that was not ethnically cleansed in 1947-48). Benefit albums of the sort I am imagining usually feature major stars, but they also often include one or two world music artists. Shaheen is one of the most prominent world musicians of Arab background living in the US, so I think this track qualifies.

4. Roger Waters, "To Kill the Child," "To Kill the Child/Leaving Beirut" (2005).

It’s cold in the desert
And the space is too big
The rope is too short
And the walls are too thick
I will show you no weakness
I will mock you in song
Berate and deride you
Belittle and chide you
Beat you with sticks
And bulldoze your home
You can watch my triumphant procession to Rome
Best seat in the house
Up there on the cross
Is it anger or envy, profit or loss
That we would choose to kill the child

Waters is also active in the campaign against the wall. I'm not a huge fan of Waters, but he does have name recognition.

5. Billy Bragg, "The Lonesome Death of Rachel Corrie" (single available only online, written in March 2006, to the tune of Bob Dylan's "The Lonesome Death of Hattie Carroll)
Read about the song and download it here:

An Israeli bulldozer killed poor Rachel Corrie
As she stood in its path in the town of Rafah
She lost her young life in an act of compassion
Trying to protect the poor people of Gaza
Whose homes are destroyed by tank shells and bulldozers
And whose plight is exploited by suicide bombers
Who kill in the name of the people of Gaza
But Rachel Corrie believed in non-violent resistance
Put herself in harm's way as a shield of the people
And paid with her life in a manner most brutal

6. Patti Smith, "Qana"

Maybe this doesn't belong here, it's about Lebanon, not Palestine. Patti wrote it last summer during Israel's onslaught on Lebanon, about the airstrike on Qana on July 30, 2006, and she performed it at Lollapalooza in Chicago. You can download it here.

Village is empty
Not a human
Nor a stone
Village is empty
In the village
Children are gone
And a mother rocks
Herself to sleep
Let it come down
Let her weep

And the dead lay in strange shapes

Some stay buried
Others crawl free
Baby didn't make it
Screaming debris
And a mother rocks
Herself to sleep

And the dead lay in strange shapes

Limp little bodies
Caked in mud
Small, small hands
Found in the road
Their talking about
War aims
What a phrase
Bombs that fall
American made
The new Middle East
The Rice woman squeaks
And a mother rocks
Herself to sleep

And the dead lay in strange shapes

Little bodies
Little bodies
Tied head and feet
Wrapped in plastic
Laid out in the street
The new Middle East
The Rice woman squeaks
And a mother rocks
Herself to sleep
Let it come down
Let her weep

And the dead lay in strange shapes

Water to wine
Wine to blood
Ahh Qana
The miracle
Is love
The miracle
Is love

And the dead lay in strange shapes


That's all I can come up with so far. Belle & Sebastian have visited Palestine with War on Want, but I don't know whether they have any relevant songs. Please help me find some more!

Saturday, June 16, 2007

Lebanese singer Ghada Shbeir wins BBC Radio 3 World Music Award for Middle East/North Africa


I had never heard of Ghada Shbeir until Hisham told me about her yesterday. I've been agonizing over the news from Lebanon, so it was very cheering to have some good news from there. I urge you to watch (or listen) to Ghada Shbeir's 30+ minute concert on the BBC website (scroll down to get to it). Ghada Shbeir performs some of the best "classical" Arabic music I've heard in a long time, mostly Andalusian muwashshahat. The title of her solo album, not yet widely available as far as I can tell, is Al Muwashahat. Shbeir is also a featured vocalist on the album Crossroads of the Mediterranean, by Constantinople. I'm only just downloading it from emusic.com, where you can listen to samples.

Another winner (in the Culture Crossing category) at the BBC Radio 3 World Music Awards is Maurice el Medioni, the celebrated Algerian Jewish pianist, who specializes in Orani boogie woogie. You can watch/hear him at the same website.

Not that this fabulous music in any way "compensates" for the dreadful situation in Lebanon, or the Middle East in general, but at least it offers a break....

Gaza...

On days like these, I wish I wasn't a Middle East "specialist" who gets paid (although not very well) to think about a region that seems to be in the worst shape ever, ever. Lebanon, Gaza, Iraq, Darfur, Hosni's new crackdown on democracy in Egypt, it goes on and on. It is all too awful to contemplate. But here are two quite fine commentaries on the situation in Gaza, by very astute observers, one from Israeli peace activist Uri Avnery, and the other from Palestinian activist Ali Abunimah. Among other things, they point to the US role in the recent Gaza events.

Avneri: "But the Hamas leaders decided that they had no alternative but to destroy the armed organizations that are tied to Fatah and take their orders from President Mahmoud Abbas. The US has ordered Israel to supply these organizations with large quantities of weapons, in order to enable them to fight Hamas. The Israeli army chiefs did not like the idea, fearing that the arms might end up in the hands of Hamas (as is actually happening now). But our government obeyed American orders, as usual."

And Abunimah: "Ever since Hamas won the Palestinian legislative elections in the occupied territories in January 2006, elements of the leadership of the long-dominant Fatah movement, including Palestinian Authority chairman Mahmoud Abbas and his advisors have conspired with Israel, the United States and the intelligence services of several Arab states to overthrow and weaken Hamas. This support has included funneling weapons and tens of millions of dollars to unaccountable militias, particularly the "Preventive Security Force" headed by Gaza warlord Mohammad Dahlan, a close ally of Israel and the United States and the Abbas-affiliated "Presidential Guard." US Deputy National Security Advisor Elliott Abrams -- who helped divert money to the Nicaraguan Contras in the 1980s and who was convicted of lying to Congress in the Iran-Contra scandal -- has spearheaded the effort to set up these Palestinian Contras. (This background has been extensively detailed in a number of articles published by The Electronic Intifada in recent months). Abrams is also notorious for helping to cover up massacres and atrocities committed against civilians in El Salvador by US-backed militias and death squads."

Wednesday, June 13, 2007

Newsweek on Islamic Punk


Glad to see that Islamic punk is getting more coverage and visibility. I've not heard all of the groups discussed here, but highly recommend Kominas (homepage here, myspace page--with mp3s--here). Have only just heard it, but I really like their song, 9000 miles, a ska number with some dhol beats. I read Michael Muhammad Knight's The Taqwacores soon after it came out, loved it, but never imagined (until Mike told me otherwise) that there really was a taqwacore "scene." (Hope I can make it to ISNA for the taqwacores concert!) Check out the Newsweek article itself for more photos and to hear the Kominas' "9000 Miles."

(But never forget the original Muslim punk: Aki Nawaz of Fun'Da'Mental, who started his career as drummer for Southern Death Cult.)

Slam Dancing for Allah

Muslim punk rock—it's not as bizarre as it sounds.
By Matthew Philips
Newsweek, June 11, 2007

It's near midnight in a small Fairfax, Va., bar, and Omar Waqar stands on a makeshift stage, brooding in a black tunic and brown cap. He stops playing his electric guitar long enough to survey the crowd—an odd mix of local punks and collared preps—before screaming into the microphone: "Stop the hate! Stop the hate!" Stopping hate is a fairly easy concept to get behind at a punk-rock show, and the crowd yells and pumps its fists right on cue. But it's safe to say that Waqar and his band, Diacritical, aren't shouting about the same kind of hate as the audience. Waqar wants to stop the kind that made people call him "sand flea" as a kid and throw rocks through the windows of the Islamic bookstore he worked at on 9/11. Waqar, 26, the son of a Pakistani immigrant, is a Muslim—a punk-rock Muslim.

Muslim punk rock certainly sounds like an oxymoron, especially since fundamentalist Muslims condemn all music as haram (forbidden). But Diacritical is one of about a dozen Islamic punk-rock bands throughout the country, bands with names like Vote Hezbollah, the Kominas ("bastards" in Punjabi) and Al-Thawra (Arabic for "the revolution"). The bands vary in sound, polish and success: the Kominas' funk-infused Bollywood songs have been on rotation on the BBC, while sounds of explosions and gunfire punctuate Arabic chanting on the MySpace page of Al-Thawra. But they're alike enough to tour together this summer, ending Labor Day weekend in Chicago at the usually staid Islamic Society of North America's annual conference. Muslim punkers call their brand of music taqwacore—a blend of the Arabic word for piety, taqwa, and "hard-core," the English word for musicians who want to be taken very seriously. "The Prophet Muhammad was all about smashing idols," says Michael Muhammad Knight, a Muslim convert whose 2003 novel "The Taqwacores" is a manifesto for the Muslim punk movement. "And what's more punk rock than that?"

Punk has always been home to the marginalized and angry, led by the Sex Pistols and the Clash in Britain and the Ramones across the pond. But Muslim punk rockers are fighting a two-sided establishment: one side West, the other Middle East. To them, the war on terror is unequivocally a war on Islam, but they're equally infuriated by Islamic fundamentalists and the bloodshed they foment against Westerners as well as other Muslims. "It's not like I'm choosing sides," says Kourosh Poursalehi, 18, who wears a denim vest with a print of Ayatollah Khomeini on the back—for the shock value. "To me they're both wrong. Bush with the war is doing horrible things, but there's not a person in my family who's happy with the Islamic revolution in Iran." These punks are the first generation of American-born Muslims; their parents came to the United States in the 1960s, '70s and '80s. They grew up just like most kids their age—playing videogames and listening to music. But in their midteens and early 20s, they suddenly had to come to terms with their dual identities. "It was 9/11 that first made me conscious of my ethnicity," says Shajahan Khan, 23, the son of Pakistani immigrants who grew up outside Boston. The day after 9/11, a classmate asked him what his people had done. "I was like, 'What people? My people from Cambridge or Boston?'" says Khan, guitarist of the Kominas.

Admittedly, these Muslim punks aren't especially devout, at least in the traditional sense. None goes to Friday prayers regularly, but they all say they're deeply spiritual. To them, Islam begins and ends with one's personal relationship with God. After a recent show at a Manhattan bar, Waqar felt the urge to pray. "I went into the men's room, got down on the nasty floor and started praying," he recalls. Nothing says Muslim punk rock more than searching for Allah on the floor of a nightclub bathroom.

(Photos are of the Kominas, and taken from their official website. Earlier post here. Check out Diacritical's myspace page for the group's reaction to being called Islamic punk--they say, not.)

Sunday, June 10, 2007

Laura Bush "Veils" for the Pope


Here's a photo (courtesy the White House) from W. and Laura Bush's meeting yesterday with Pope Benedict XVI. Can you imagine the uproar if Laura donned a headscarf to meet an Islamic leader?
It reminds me of the story of Oriana Fallaci's (first) interview with Ayatollah Khomeini, which ended abruptly when she ripped off her chador, calling it a a "stupid, medieval rag." Can you imagine what might befall someone who dared pull such a stunt on the Pontiff? (To his credit, Christopher Hitchens, who reports on the Fallaci story, would support such an action. Khomeini reportedly found it amusing.)

Thursday, June 07, 2007

More T's


I was just alerted to the t-shirts sold by Dangerous Breed (Thanks, Bob). "An independent t-shirt and clothing company based in Brooklyn NYC founded in 2001. In a world of political polarization, “with us or against us” rhetoric, and either completely meaningless or painfully obvious t-shirts (usually both), it set out to do something a little different: to make content and style part of the same equation. To make people think rather than tell them WHAT to think."

Dangerous Breed's mission: "To evolve the message t-shirt into a new and "dangerous" breed of fashion as social commentary."



They are crazy and cool and thought-provoking. But what is most provocative about them is that they cost $33! Who the hell can afford that?

If I had $33 to blow on a t-shirt, I also like the "Ski Iraq" and the "USA out of NYC" models.

Tuesday, June 05, 2007

Oppose 40 Years of Occupation in Your Kufiya-Trim T


Now available from War on Want, just in time for the Enough! coalition national demonstration and rally in central London on June 9th, meeting at Lincoln's Inn Fields at 1.30pm and marching to Trafalgar Square. The demo is in support of the demand to end the 40 year occupation. Or wear it to the events on June 9th and June 11th in Washington, DC. Saturday, June 9: Rally at the Capitol: The World Says NO to Israeli Occupation! 2:00-4:00PM, sponsored by the US Campaign to End the Israeli Occupation and United for Peace and Justice. Monday, June 11th, grassroots lobbying.

The t-shirts read "end the occupation, justice for palestine" on the front, next to the War on Want logo, and "end the israeli occupation, justice for palestine now" on the back. With kufiya-style trim.

Monday, June 04, 2007

Walmart Hall of Shame: J-Lo joins Beyoncé

Here are some of the the bands who performed (pimped for Walmart) in Fayetteville last week as part of the annual Walmart Shareholders' meeting:

Tuesday, May 29: Fall Out Boy, in a concert (for the first time ever at a Walmart shareholders meeting) open to the public.

Wednesday, May 30: The Eagles (Walmart employees only). The Eagles' forthcoming album will be sold exclusively in Walmart stores!

Thursday, May 31. Kool and the Gang and Hall & Oates, also open to the public. Walmart goes all out this year for the Northwest Arkansas public. (Robert "Kool" Bell and his brother Ronald, leaders of Kool and the Gang, are members of the Nation of Islam, as far as I am aware.)

Friday, June 1. At the Wal-Mart shareholders "meeting" (more like a revival meeting) at Bud Walton Arena: the special guest artists are Jennifer Lopez
and the newest American Idol winner, Jordin Sparks. The event is MC'd by Sindbad. J-Lo joins Beyoncé--last year's performer at the Shareholder's Meeting--in the Walmart Hall of Shame.

Meanwhile, the local progressive group Against the Wal organized protests, for the fourth consecutive year. Suggested reading for J-Lo and Robert "Kool" Bell: the recent Human Rights Watch report on Walmart, “Discounting Rights: Wal-Mart’s Violation of US Workers’ Right to Freedom of Association.” (Walmart is only the second corporation to be investigated by Human Rights Watch.)

40 Year Anniversaries: Sgt. Pepper's, Israeli Occupation

The last few days I've been hearing and reading a lot about the 40th annniversary of the release (June 1, 1967) of the Beatles' Sgt. Pepper's Lonely Hearts Club Band. And now we are starting to hear, and read, about another 40th anniversary--of the start of the so-called Six-Day War (Arabs prefer to call it the June War), on June 5, 1967. I've not been monitoring that closely, but thus far, my sense is that, as usual, media accounts focus on the Israeli viewpoint, and fail to note that tomorrow marks the 40th anniversary of 40 years of occupation of the West Bank (or, at least, much of it). Will anyone in the mainstream media, I wonder, pay any attention to the new Amnesty International report, "Enduring Occupation: Palestinian under Siege in the West Bank," which documents the ongoing and awful effects of the occupation: the apartheid wall, the expansion of illegal settlements, the enclavization of Palestinian Bantustans, the destruction of homes and crops, the destruction of the Palestinian economy, the blockades, and so on? (Kneejerk forecast: I doubt it!)

Kufiyas in the press, once again (and...I'm quoted)

This article appeared in Canada's daily, the National Post (something like Canada's USA Today) on May 29, and you can read it here. This story appears to have a lot of legs. Some time around when I was called by Karen Burshtein, I got a call from a producer at CBC (Canadian Broadcasting Corporation), asking for background on the kufiya story, as they were putting on a radio show featuring two guests with differing views about the kufiya-as-fashion. I also was called a few days ago by a reporter from The New Statesman, who may or may not do a story. He informed me that the kufiya is very much the rage in England, worn by both politicos and fashionistas. Both Janet Jackson and David Beckham, for instance, have been spotted wearing kufiyas. (I only found this photo of Beckham--not sure whether you could call that orange thing around his neck a 'kufiya'.)

You say keffiyeh, I say shemagh
Urban Outfitters; Can keffiyehs ever be just a fashion statement?

Karen Burshtein, National Post

While I respect my colleagues at this paper, I've never really thought of the employees of the National Post mothership in Don Mills as a source of cutting-edge fashion trends. That changed a few weeks ago when I was waiting for a cab in the lobby.

There, I struck up a conversation with a guy who works in advertising or circulation or whatever it is they do on the second floor. He asked me what I do here and I told him I write about fashion.

"Fashion, eh? Well, I betcha don't know what this is," he said, tugging at a fringed black-and-white scarf tied around his neck.

"Betcha I do," I replied. "A keffiyeh. I used to have one when I was a student in Paris."

The keffiyeh is best known in the West as the head covering of choice of the late Palestinian leader Yasser Arafat. Arab men have worn them for centuries, although few can fold the scarf as Arafat did, to mimic the shape of Palestine. When I was an art history student 20 years ago, we all wore keffiyehs with our perfecto leather jackets, cowboy boots, black Levis and ponytails. The look was Euro hip, a forerunner of the boho chic craze, perhaps vaguely countercultural. But it was more fashion statement then political statement, until the first intifada in 1987 when it became associated with the Palestinian cause.

Now, I learned from my colleague in Don Mills, the keffiyeh has become trendy again.

A model sports a keffiyeh at the Balenciaga fashion show in February. Photograph by CHRIS MOORE/GETTY IMAGES

"You can buy them at Urban Outfitters," he said. Well, yes and no, I discovered. A couple of months ago, Urban Outfitters, the American-owned accessories and lifestyle retailer, started selling keffiyehs in several colour combinations as part of its spring accessories range, marketed as "anti-war woven scarves." A dozy, corn-fed-looking male model wore one on the cover of its spring catalogue.

Naturally, it didn't take long for the blogosphere to weigh in on what kind of political statement Urban Outfitters and the wearers of its keffiyehs were trying to convey.

Some in the pro-Israel faction accused the retailers of marketing terrorism. "They have the chutzpah to market them as 'anti-war scarves,' " blogged Daniel "Mobius" Sieradski on Jewschool, a popular blog for Jewish youth. On the other hand, some Palestinians argued that turning the keffiyeh into a fashion accessory for hipster wannabes trivialized their cause.

An emotional blogger posted this on Kabobfest, a forum for Arab-Americans: "With a great deal of discomfort and a tad bit of pissed-off-ness, I regret to (re)inform the KABOB-o-sphere that Palestine has officially become a trend … That's right folks, for a mere $20 (or 75.0127 Saudi riyals) you, too, can jump on the socially stupid hipsterdoofus bandwagon by rocking your very own 'Anti-War Woven Scarf '! (available only at Urban Outfitters or … er … uh … the Middle East)."

Feeling the heat, and possibly remembering the curious "Everyone loves a Jewish girl" T-shirts emblazoned with dollar signs and shopping bags it released a few years ago, Urban Outfitters pulled the keffiyehs from the shelves. "Due to the sensitive nature of this item, we will no longer offer it for sale," a notice on the company's Web site stated. "We apologize if we offended anyone, this was by no means our intention." Its president added that they did not intend to "imply any sympathy for or support of terrorists or terrorism."

And yet, when I was in London recently, I noticed keffiyehs being sported by all manner of the fashion conscious --from the guy with a Hugh Grant haircut and Louis Vuitton case alighting from the Eurostar at Waterloo station to the arty chick at the Tate Modern to the fashionista browsing on Oxford Street wearing one with her kind's standard: black blazer, black skinny jeans, black ballerina slippers.

Keffiyehs seemed to be the new pashminas. Sienna Miller was apparently spotted wearing one. For that matter, they were on sale at TopShop. French designer Nicholas Ghesquiere even referenced the keffiyeh in his collegiate-inspired ready-to-wear collection for Balenciaga, for this fall.

But for all the outrage and bemusement of the bloggers, there is probably considerably less political meaning to the keffiyeh trend than each side of the political debate is giving it. I think it's not that much different than any other cultural item -- like cowboy boots or a tunic -- that fashion co-opts as a trend, usually for its exoticism and maybe sense of insiderness and which eventually becomes pretty much drained of any cultural association.

Taking issue with the kind of protest that appeared on Jewschool, Ted R. Swedenburg, a professor of anthropology at the University of Arkansas who lectures on Mideast pop culture and who has written about keffiyehs on swedenburg.blogspot. com, said calling the scarves a terrorist symbol is short-sighted and unfair, given the keffiyeh's long, varied history.

It's like saying everyone who wears shiny black boots is a Nazi.

Swedenburg says, "Historically, the keffiyeh was an unremarkable, very conventional clothing customarily worn over the head by Palestinian and other Arabs to protect their head and sometimes their faces from the elements -- wind, sun and cold." In different parts of the Arab world different coloured keffiyehs are worn.

The plain white one is most popular in the Gulf states, for example. The red-and-white one was associated with the Jordanian army. The black-and-white versions are most common in Palestine and were traditionally worn by rural peasants. At various times, they have became a symbol of Palestinian nationalism. In the 1930s when the British tried to ban them, elite city dwellers wore them in solidarity with peasants, often atop their fezzes.

"Then Arafat wore the black-and-white, which was very mainstream," says Swedenburg, "and it became associated with the current Palestinian situation. But to say it is a symbol of terrorism is to say that all Palestinians are terrorists." Indeed, after 9/11, some U.S. activists started wearing keffiyehs to show solidarity with Arab Americans who were being targeted by hate crimes and for racial profiling. Last year, an Israeli company started marketing blue-and-white keffiyehs to hip Jewish Israelis.

That said, its trendiness in the United States -- as opposed to Europe where its fashionability has come and gone several times -- is interesting. Fashion trends, after all, never spring from a vacuum. The mainstreaming of the keffiyeh might possibly be part of what influential fashion journalists such as the International Herald Tribune's Suzy Menkes recently called the Muslimization of fashion (she was referring to designers showing head-to-toe covered-up looks). But more likely it's simply because the Mideast is in the news, Swedenburg said.

In a phone interview, Swedenburg said he thinks Urban Outfitters was singled out because it was either cynically or cluelessly trying to capitalize on the antiwar mood in America: "I think the anti-war sentiment in the U.S. is so mainstream that Urban Outfitters thought they could market it. But I find it interesting, very funny, that they thought they could market a keffiyeh as an anti-war scarf. I don't think there is anyone who would call it that. It's not like it's a peace sign."

The interesting Canadian footnote to this story is that Urban Outfitters didn't pulled the keffiyehs from its shelves in Canada. It either deftly or unwittingly sidestepped the controversy by calling them "shemaghs," as I discovered when I spoke with a salesperson in the men's accessories department at Urban Outfitters' Yonge Street branch in Toronto.

He told me the store carries them ("We were told to call them shemaghs, but I don't know. When I looked them up on Wikipedia, it said keffiyehs") in green-and-black, pink-and-black, blue-and-black, yellow-and-black and orange-and-red, "but not black-and-white."

I told Swedenburg about this angle on the story and he was puzzled and amused by news of the Canadian shemagh.

"That term is so rarely heard in modern use. They were called shemaghs by British soldiers in North Africa during the Second World War. I'm guessing really, but maybe Urban Outfitters thought shemagh might appeal to anglophile Canadians."

But we'll never know. When I phoned a spokesperson at Urban Outfitters corporate headquarters in Philadelphia to ask why its Canada stores were still selling keffiyehs and why they were being called shemaghs, she confirmed there had been a company-wide withdrawal of the scarves, and said she was unaware they were still for sale at Urban Outfitters in Canada, adding she had never heard the term shemagh. She declined to comment further and told me a senior spokesperson would call me. So far, I haven't heard back.

Saturday, May 05, 2007

William Burroughs: Interzone


Burroughs and a sphinx. Probably at the Egyptian Museum. (Not sure what the source is...) Thanks, Elliott!
THE MARKET

Panorama of the City of Interzone...

...The blood and substance of many races, Negro, Polynesian, Mountain Mongol, Desert Nomad, Polyglot Near East, Indian--races as yet unconceived and unborn, combinations not yet realized pass through your body...The Composite City where all human potentials are spread out in a vast silent market.

Minarets, palms, mountains. jungle...

Cooking smells of all cities hang over the City...

High mountain flutes, jazz and bebop, one-stringed Mongol instruments, gypsy xylophones, African drums, Arab bagpipes...

(William S. Burroughs, Naked Lunch, NY: Grove Press, 1966, pp. 106, 108)

Sunday, April 29, 2007

Islamic Terrorist Attacks in Europe, 2006

Kristoffer Larrson, writing in Counterpunch (April 21/22), tells us that the European Police Office's (Europol) first report on terrorism in the EU has just come out. According to the report, 498 "terrorist attacks" were launched in eleven EU countries, 136 by the Basque separatist group ETA which was responsible for the only attack resulting in human loss of life, in Madrid. Of these 498 attacks, "Islamic terrorists" were responsible for one attack.

Not what writers like Bruce Bawer (While Europe Slept: How Radical Islam Is Destroying the West from Within) and his ilk (Mark Steyn, Melanie Philips, and Oriana Fellaci) would lead us to believe.

Thursday, April 19, 2007

Is this the best video clip of Arabic music ever?

"Do You Love Me?", from the Bendaly Family عائلة بندلي
Shot in Kuwait, 1978.


UPDATE: As far as I can determine, from hunting around for more information, The Bendaly Family are Lebanese.

Sunday, April 15, 2007

More on the kufiya from the Daily Star (Beirut)

It appears that a report in the New York Times two months ago triggered this Daily Star report, focusing on kufiya-as-fashion spottings in London and Beirut. The report claims that "the Jewish lobby" was responsible for Urban Outfitters' decision to pull the kufiya from its early spring catalogue. Unfortunate language, that errs on the side of anti-Semitism. More correct to say there was some Zionist-motivated pressures.

I've been informed by a couple of blog readers that one can still find the kufiyas in Urban Outfitters in New York and San Francisco. My student Chris wrote me in late March:
The Urban Outfitters in downtown San Francisco sells the turquoise, yellow, and green kufiyas, errr, "anti-war protest scarves," including having some on their "this is what the cool kids are wearing these days" display table right as you walk in to the men's section. They seem to have passed off their stock of the black & white and red variations to some of the local boutique resellers (where I myself picked up one), while the less controversial colors are still kosher for keeping America's hipsters warm and cozy, or at least in protest in a socially respectable way.

Joel meanwhile reports, in early April:
I found kufiyas in Urban Outfitters on 6th Ave in the Village. They had brown (bunni) and olive green (jayshi), both made in India and for $20. Also red/white, very poor quality, made (I think) in China. Not displayed prominently, but not any less prominently than other similar shawl-like items....

The sitings continue! (And once I finish the backlog of work that has piled up as the semester nears its end, I hope to resume more regular postings on hawgblawg.)

Here's the Daily Star report:

Kefiyyeh makes unlikely leap from symbol of struggle to fashion signature
By Nour Samaha
Saturday, April 14, 2007

LONDON/BEIRUT: The keffiyeh has had a long and varied history. But few could have imagined the traditional headdress worn by Arab men to protect them from the sun and sand would emerge in the spring of 2007 as a fashion accessory among urban teenagers and twentysomethings in New York and London.

The white cotton scarf in an all-over checkered pattern has been worn for decades by men across the Levant and the Gulf. It became a potent symbol of Palestinian nationalism from the 1930s onward. The keffiyeh was a key component of Yassir Arafat's trademark attire; he was never seen in public without one. At least since the days of the first intifada, people around the world have worn the keffiyeh in sympathy with the Palestinian cause.

In the wake of the attacks of September 11, 2001, when all things Arab became suspect in the West, a young magazine editor in New York recalls that the keffiyeh he wore around his neck as a scarf for all seasons suddenly provoked anxiety. People would cross to the other side the street when they caught sight of his neckwear, assuming, stupidly, that he was a terrorist. How things have changed.

Fashion is nothing if not amnesiac and so the keffiyeh has somersaulted to a veritable hipster trend - minted as such with a recent story in The New York Times style section.

Weaving through the crowds of people bustling through London, one cannot help but notice the overwhelming number of passersby sporting the checkered scarf. Not satisfied with the original two options of red checks or black, market stalls and retail outlets have expanded the keffiyeh color range to include blue, purple, green, pink and yellow.

From Camden Market's stalls to high-street stores such as Top Shop and Urban Outfitters, the scarves are being sold seemingly everywhere.

In fact, the keffiyeh has been around Camden Market for years and has catered to customers "who support the Arab cause," says Helena, the owner of a market stall. "The last couple of months, however, have seen a huge surge in their sales," she says, "especially the colored ones, now that that they are being sold on the high street, too.

"They've lost their meaning completely now, though," she adds. "Before, people bought them for a reason. Now it is purely a fashion statement. They have no idea what the scarves signify. We have had a number of people come by and ask for 'those scarves that are being worn on TV' by celebrities." Helena says that for the past three months, she has been selling an average of 200 scarves per week.

Adam Faust, 25, is originally from Texas but is currently studying graphic design in London. He owns a yellow keffiyeh.

"To be perfectly honest," he says, "I only bought it because I liked it. I liked the style, and the look of it. It was a completely superficial decision. I did do a bit of research before I bought it, so I do know it has a Middle Eastern background. But that's not why I bought it."

Alicia Iveson, 22, is a student at Leeds University. She owns a keffiyeh of her own, but for variety, she often borrows others from her friends. She says the scarves are worn all over university campuses by people of all political persuasions, to the extent, she says, that the keffiyeh has "become a bit of a cliche."

"It's like anything that becomes fashionable," explains Iveson. "First the fashion-conscious people wear them to be different, and then everyone catches on to it, and eventually they go out of fashion."

While not ignorant of the keffiyeh's cultural roots - "I know it supports the Palestinians and their independence," she says - Iveson admits her reasons for buying and wearing the keffiyeh are completely apolitical. In her opinion very few people who wear the scarves are aware of their history.

"Personally, I just really like them. They're warm and practical in this weather. They look good, and from the right places they can be really cheap," she says. Hers cost $8.

Top Shop, one the UK's largest high-street fashion stores, has had the scarves on the shelves for the past month. According to a sales assistant who spoke on condition of anonymity, the scarves are "very trendy" and "worn everywhere, even in clubs."

"The people that tend to buy them the most are between 15 and 28, and like anything in fashion, now they are very popular, but they will have a limited shelf-life," he says. "I really don't think any of the population who buy them here actually knows what they represent, culturally."

Across the pond in the United States, however, the fashion statement made by the keffiyeh was quickly marred by politics. The Jewish lobby [sic: there is no "Jewish" lobby, there's a Zionist lobby, but it doesn't appear to have systematically weighed in.] in particular slammed the trend as an "endorsement of terrorism."

The style piece in the Times, published in February, noted that Urban Outfitters swiftly removed keffiyehs from stores after an onslaught of criticism. Urban Outfitters issued the following statement: "Due to the sensitive nature of this item, we will no longer offer it for sale. We apologize if we offended anyone. This was by no means our intention."

"I think it is ridiculous of the US to be so sensitive to an item of clothing," says Iveson. "This sort of behavior generates a feeling of hatred towards the area where the garment originally came from, and for no reason whatsoever."

Faust agrees.

"We are lucky that we live in a world where you can wear what you want, without anyone telling you otherwise," he says. "There is no reason why it should be taken off the shelves."

The sales assistant at Top Shop adds that banning an item for political reasons is not only ridiculous but also racist. "How can a scarf promote terrorism?" he asks.

Against expectations, the keffiyeh trend has simultaneously wangled its way back to the Middle East and into Beirut's trendy fashion boutiques.

Off the main street in Gemmayzeh lies Kitsch, a cafe and bakery that doubles as a store for a carefully handpicked selection of women's clothing. Among the resolutely chic styles of print dresses, thin leggings and vintage T-shirts, one finds a series of items by the label Essa that are embellished with the keffiyeh.

"The designer is based in Dubai," says Racil Chalhoub, the co-owner of Kitsch. "He wanted to design items that are linked back to tradition. They have been very successful," she adds, "probably because those who buy them consider them to be an original concept that cannot be found anywhere else.

"We haven't had any kind of negative feedback from people with regard to the use of the keffiyeh," adds Chalhoub. "Those that tend to buy the items are 'trend-forward' people who are looking for something new."

Politics, it appears, does not interfere with fashion, at least on the streets of Beirut.

Sunday, March 25, 2007

Egyptian Textile Workers Confront the New Economic Order: Middle East Report Online


A new MERO. I quote from the announcement:

The Egyptian regime is cracking down on all manner of dissenters -- from
Muslim Brothers in Parliament to the well-known Kifaya movement to bloggers and journalists. But another form of opposition has been scoring victories: a wave of wildcat strikes that, like the Kifaya protests, began in late 2004. The collective action of Egyptian workers is currently the most broad-based kind of resistance to the regime. It represents a possible threat to the "stability" President Husni Mubarak needs to pass his office on to his son, as most Egyptians are convinced he seeks to do.

Joel Beinin and Hossam el-Hamalawy tell the story of the most militant and politically important strike to date in "Egyptian Textile Workers Confront the New Economic Order," now available in Middle East Report Online.


Here's an excerpt I particularly liked:
Then, on December 7, thousands of workers from the morning shift started assembling in Mahalla’s Tal‘at Harb Square, facing the entrance to the mill. The pace of factory work was already slowing, but production ground to a halt when around 3,000 female garment workers left their stations, and marched over to the spinning and weaving sections, where their male colleagues had not yet stopped their machines. The female workers stormed in chanting: “Where are the men? Here are the women!” Ashamed, the men joined the strike.

Thursday, March 22, 2007

Denny Crain learns that criticism of Israel is anti-Semitic


Did anyone catch Boston Legal on Tuesday? In it Denny Crain (played with panache by William Shatner) learns (well, he's such a buffoon and a curmudgeon) that criticizing Israel is anti-Semitic. Bethany Horowitz (the very short lawyer) explains this to him--it's a very small country, surrounded by millions of Arabs, etc. Denny still doesn't really get it, and so, at the end of the show, as usual, he and his friend Alan Shore (James Spader) are out on the balcony drinking brandy and smoking cigars, and the subject comes up again. Denny asks Alan, didn't you think that Israel over-reacted when it attacked Lebanon last summer? Alan says, yes, but procedes to explain to Denny again why you shouldn't criticize Israel, and why Jews don't like it. (I can't remember the logic.) Since Alan is the "liberal" on the show, of course he is presented as more sensitive on this matter than Denny, the loveable conservative Neanderthal.

For daily ripostes to this line of reasoning, check out the irreplaceable MuzzleWatch, a blog from Jewish Voice for Peace that "track[s] efforts to stifle open debate about US-Israeli foreign policy.

Wednesday, March 21, 2007

Kufiyaspotting #15: Nine Inch Nails' "Survivalism"


A new video from Nine Inch Nails, featuring lead singer Trent Reznor sporting a kufiya scarf. A verse from the song:
Hypnotic sound of sirens
Echoing through the street
The cocking of the rifles
The marching of the feet
You see your world on fire
Don't try to act surprised
We did just what you told us
Lost our faith along the way and found ourselves believing your lies

Interesting vid, showing a heavily armed military/police unit entering a building (it looks at first like it could be Iraq)--and what apartment are they targeting? The gay couple's? The Asian woman dressing in front of the mirror? The (Hispanic?) couple on the couch? The older black man? Or the band?

Kufiyas spotted at Urban Outfitters in Westwood


Thanks to a comment on my Urban Outfitters post, I learned of a great blog, KABOBfest. A post there by Maytha reports that even though, due to protests, Urban Outfitters took the kufiya (marketed as an "anti-war scarf") off its early spring catalogue, one can still find the item at the Urban Outfitters at Westwood (near UCLA campus). It's not really clear why. Maybe the fashionistas in LA haven't got the word from the East Coast that the kufiya is passé? (Photo by Maytha.)

Here's my guess: Urban Outfitters bought a lot of kufiya stock before it announced the early spring catalogue. UO has got to sell that stock...so it does so, without fanfare.

UPDATE: See the comments--Urban Outfitters in downtown Toronto is also selling multi-colored kufiyas, under the name 'shemagh'. (Thanks, Nashwa.) This is another Arabic name for the kufiya (known in Palestine more commonly as a hatta. British soldiers in the Middle East since before WWII used the shemagh rather extensively, and that's the name they used exclusively. Check out how the British Special Air Service used shemaghs in North Africa during WWII.

Friday, March 16, 2007

Fayetteville rally: US out of Iraq


Pink for peace
Originally uploaded by tsweden.
A belated post: on March 11, about 200+ marched in Fayetteville against the US occupation of Iraq. The march marked the fourth anniversary of the US invasion, which was launched on March 17 2003. (Most rallies are this weekend, but not here--we marched a little early due to spring break.) About twice as many showed up last year--not sure why, but nonetheless, it was a spirited event.

Friday, March 09, 2007

Michael Franti in Fayettville: What's the Use of Political Music?


Michael Franti & Spearhed played at George's Majestic Lounge in Fayetteville, AR on March 6, and I manage to catch the show. I first hear of Franti back in the early nineties, when he led Disposable Heroes of Hiphoprisy, who are best known for their song, "Television: Drug of the Nation." I saw him perform with Spearhead in Seattle, I think it was back in 1996. I've not followed him so closely of late, but I still consider him one of the most important political artists around.

The concert was sold out, just jammed with a crowd of 2-300 that could loosely be termed "hippies." The crowd was very appreciative, very familiar with the music. Franti seemed quite surprised at the enthusiastic reception he received in his first-ever concert in Arkansas--and the crowd was of course very glad to hear themselves praised by the likes of Franti.

But all during the concert--which I enjoyed immensely--I couldn't get the thought out of my mind that this Sunday, March 11, the Omni Center for Peace and Equality is organizing anti-war, anti-occupation demonstration, on the fourth anniversary of the US invasion of Iraq.
There were flyers advertising the march spread around in the club, and due to the efforts of a couple of my younger friends, the flyer managed to end up in Franti's hand at the conclusion of the concert and he read it out. I'm pretty certain, however, that despite Franti's endorsement, and despite the fact that Franti's music is consistently progressive and political (and the politics is expressed very clearly), that very few of those at the concert will come out to the march. Twenty at most, I imagine, and I will know most of them. The march (if the weather holds up) will probably include several hundred people, if the last march is any guide, but it won't be the hippies who attended the Franti/Spearhead concert. They're sympathetic with Franti's message, but they'd pay $20 and show up to dance and drink beer (and smoke some Chronic--a lot of that in the air) than participate in a demo. Our demo on March 11 will include people of all age groups (with a lot of middle aged folks like me), but it will be very short on young folks of the "alternative" or hippy variety.

So is Franti's music, so infused with radical politics, of any political use in a place like this? I discussed this with my friend Dave, and he suggested that probably, in a place like San Francisco, there would be more of a convergence between the audience at a Franti concert and marchers at an anti-war rally. I think that's probably true. And I'm not sure why all the good-hearted pot-smoking longhaired young people here are so unlikely to show up at a rally. I have no answers, only a feeling of depression...

Monday, March 05, 2007

Radical Islam: Destroying Europe from Within?

Last month I started reading Bruce Bawer's While Europe Slept: How Radical Islam Is Destroying the West from Within (Doubleday, 2006). Before I finished I learned it had been nominated in the criticism category for the National Book Critics Circle Award. On February 8, the The New York Times reported that Elliott Weinberger, previous finalist for the award, denounced Bawer, accusing him of "racism as criticism." Meanwhile, the president of the Circle's board, John Freeman, wrote on the organization's blog, "I have never been more embarrassed by a choice than I have been with Bruce Bawer's 'While Europe Slept'...It's [sic] hyperventilated rethoric tips from actual critique into Islamophobia."

Having now finished reading it, I must agree with Freeman's sentiments about While Europe Slept. If Bawer does win in the "criticism" category when awards are announced on March 8, it will bring shame upon the Circle.

Writer and critic Bawer is gay, an avowed liberal who moved from New York to Amsterdam in 1998 because of its more tolerant atmosphere. He now lives in Oslo. While Europe Slept is a full-out critique of what Bawer considers Europe's complacency with regard to the radical Islamist threat, by comparison with the vigorous and resolute response taken by the US since 9/11. But while Bawer is critical of Europe, his views with regard to Islam are in fact symptomatic of a widespread, and growing, European tendency. Whereas hostility and racism toward Muslim immigrants were previously the property of the extreme right, such views have become increasingly mainstream. For instance, take the fulminations of Oriana Fallaci in books like The Force of Reason, or Polly Toynbee's columns in the Guardian. Whereas in the US, Islamophobic rhetoric tends to be the province of right-wing commentators and, especially, conservative evangelists, in Europe Islamophobia is more frequently articulated from within the terms of liberal discourse.

Bawer rehearses a number of the alarms about the threats posed by Muslims in Europe that are common currency on the right. First, the demographic threat, the nightmare that Muslims are about to swamp Europe. Bawer quotes British historian Niall Ferguson, who wrote in 2004, "a youthful Muslim society to the south and east of the Mediterranean is poised to colonize a senescent Europe to the north and west." Now, Bawer claims, nearly the whole of Europe is within their [the Islamists'] grasp" (231). Second, the failure of Muslims to integrate into European society, their insistence on separation, rejection, ghettoization and inter-marriage (20, 209). Third, the threat of violence and crime posed by young Muslims resident in Europe. Bawer cites the example of the city of Malmö in Sweden, whose population is 40 percent "non-Swedish" (meaning non-white Swedish), where the incidence of rape is five or six times that of nearby Copenhagen, child rapes have doubled in a decade, and teenagers were torching schools (205). Brawer piles on example after example, such as the June 2005 incidents, where 500 Muslim teenagers were involved in mass muggings on strand of beach near Lisbon (211). Fourth, Muslims in Europe are resistant to adopting "European values." Even those who might oppose the terroristic methods of radical Islam are "hamstrung by the belief that loyalty to the umma...overrode any civic obligations to their kaffir (infidel) neighbors," and so they are loathe to criticize extremist Islamists (3, 229). Moreover, "many" immigrant communities are "led by fundamentalist Muslims who looked forward to the establishment in Europe of a caliphate government according to sharia law (3)." Fifth, the immigrants bring their "tribal customs" with them, such as FGM (female genital mutilation), honor killings, payment of blood money and so on (18, 22, 211).

Let me address these scare-mongering arguments briefly. (1) The notion that the eleven or so million Muslims in Europe, who constitute 3 percent of the EU's population, are likely to become the majority any time soon is ludicrous. (2) Muslim failure to integrate and Muslim ghettoization are in large part the consequence of policies of the state and local governments, as well as fear of racist attacks, rather than active decisions of Muslim communities and individuals. "Ghettoization" is more imposed than freely chosen. (3) The violence and crime that are endemic in lower-class, "immigrant" ghettos, are the products of poor education and infrastructure, lack of opportunity and high unemployment. Bawer objects to such explanations, and cites as evidence Theodore Dalrymple's claim that young Muslims in the French cités are not poor but typically have cell phones and cars (Bawer adds that young Muslims all over Europe drive BMW convertibles) (110). Cell phones, yes, but it is well-known that France's banlieusard rioters of November 2005 torched some 9,000 cars -- because they can't afford them. Bawer elsewhere does acknowledge that "in Europe, generally speaking, only the most undesirable employment is available for people with foreign-sounding names of foreign-looking faces (72)." As for the mass muggings near Lisbon, I've seen no evidence that the bands of muggers were composed entirely, or even mainly, of Muslims. (4) As for refusal of "European values," Jocelyne Cesari's book When Islam and Democracy Meet (2004) argues persuasively that Muslims in Europe have, among other things, adopted the very "secular" notion of religion as individual choice. Many European Muslims have criticized Muslim extremism, such as the Islamic Commission of Spain, which issued a fatwa declaring Usama Bin Laden an apostate. No Muslim community in Europe is led by fundamentalists who want to reestablish the caliphate -- this position is held by a small minority, not by community leaders. (5) Most Muslims in Europe originate from countries where FGM ("female cutting" is a less incendiary term) is not practiced. Reports do suggest a rise in the rate of honor killings in the last few years, but this Boston Globe report sees this as an effect of Muslim Europeans' feelings of embattlement and isolation rather than as an imported "tribal custom."

Overall, Bawer's argument proceeds through distortion of fact, selective use of evidence, taking minority trends as representative of the whole community, and blaming the victim. While Europe Slept presents a picture of (white) Europeans intimidated and bloodied by violent Muslim youth, when in fact it is European Muslims who are most at risk, from racist attacks by extreme-right militants and the police, and increased racial profilings and community repression since 9/11 and the Madrid and London bombings.

Where Bawer's argument connects with "liberal" discourse is in its concern with women's and gay rights. Bawer asserts that "some estimates suggest that 90 percent of European Muslim wives are physically abused" (59), and he is concerned that non-Muslim European are threatened by Muslim violence, particularly rape (55). But it is Muslim homophobia that really exercises him, as someone who left the US because of Christian fundamentalist intolerance for gays, only to find conditions were worse in Europe. "I wasn't fond of the hypocritical conservative-Christian line about hating the sin and loving the sinner," Bawer writes, "but it was preferable to the forthright fundamentalist Muslim view that homosexuals merited death" (33). And he quotes approvingly the statements of Pim Fortuyn, Holland's charismatic anti-immigrant and populist politician, assassinated in 2002: "What...would happen to same-sex marriage when fundamentalist Muslims gained enough power to eradicate it? Islamic countries not only prohibit gay marriage: they execute people for sodomy" (164-165). Bawer concludes the book by stating that Muslim intolerance is making life more dangerous for gays in Holland, and that this is prompting a desire among many Dutch to emigrate.

Certainly, women's and gay rights must be defended. What I want to underscore here, however, is the ways in which Bawer deploys stereotypes of Muslim intolerance of women's and gay rights to argue for a crackdown on Muslim immigrants (and citizens) and immigration writ large. Western discourse about defending women from sexist Muslim men, of course, has a long history, whereas the defense of gay rights against fundamentalist Muslims represents the embrace of a relatively new Western "tolerant" value. According to a report in the New York Times last October, "So strong is the fear that Dutch values of tolerance are under siege that the government last winter introduced a primer on those values for prospective newcomers to Dutch life: A DVD briefly showing topless women and two men kissing."

Increasingly, centrists and liberals across Europe are embracing the view that Muslim religious and cultural values are simply too conservative and fundamentalist, that they are incompatible with the "tolerant" European values that have taken hold since the 1960s and 1970s. Immigration, therefore, should be strictly limited or cut off altogether, and Muslims in Europe should be forced to "integrate."

Let's hope that the National Book Critics Circle has the good sense not to honor a book that propagates such arguments.

Friday, February 23, 2007

R.I.P. Mai Ghoussoub, 1952-2007


I was devastated when I learned earlier this week of the death of Mai Ghoussoub over the past weekend. I first met Mai in 1971, when we were both undergraduates at the American University of Beirut. We were both involved in left student politics at AUB, and both belonged to an independent left student organization called Our Struggle (Kifahuna) that published a mimeographed magazine by the same name. Mai was also the member of Lebanon's small but active Trotskyist movement at that time.

I lost touch with Mai after I left Beirut in January 1976, during the civil war, but I did hear from mutual friends that she had been wounded in the civil war. I also knew that she had co-founded Saqi Books in London, but although I was in London three times in the '80s, our paths never crossed. It wasn't until April 1999 that I met her again, when we both presented papers at a conference on Middle East Culture at Georgetown University, organized by Walter Armbrust. Since then, we stayed in touch, and I saw her in London in September '02 and July '03. I had a fabulous time with Mai the last time I saw her, when she took me to Momo's and its very exclusive downstairs Kemia bar. She liked to keep me informed about Beirut's cultural revival (I've not been back since January 1976), and it's thanks to her that I know about Beirut's jazz scene and groups like Soap Kills.

Mai was so generous, so creative, so vivacious and smart and fun. She worked very hard to make Saqi Books the first-rate publisher of Middle East (and other) books that it is today. She was a very fine writer--her Leaving Beirut: Women and the Wars Within is one of the best books I've read about Lebanon and the civil war, incredibly moving and lyrical. Mai was also an accomplished sculptor, playwright and actress. Her departure leaves a gaping hole.

Excellent obits/tributes can be found here and here and here.

And some examples of her writing:

"Lebanon: Slices of Life" (Oct. 31, 2006)

"Beirut and contradiction: reading the World Press Photo award"
(Feb. 13, 2007)

Friday, February 16, 2007

The secret of Brazilian pop music?

From no less an authority than tropicalista giant Tom ZĂ©, speaking to the New York Times (1/26/07) about the traditional folk music of Brazil's Northeast, which he says is the source of the "richness and strength of Brazilian popular music":
Mr. ZĂ© also noted that the music of the Brazilian northeast that came from Portugal was itself a result of cultural mixing, especially from the Arab domination there [Portugal] during the medieval era. The lyrics of some songs in the compilation [Musica Tradicional do Norte e Nordeste 1938] date back to troubadors' tales from that era, but the Arab presence manifested itself mainly in a vocal style characterized by a fondness for bent notes.
"That influence is still there in Brazilian popular music today," he said. "I hear it most clearly and beautifully when Caetano [Veloso] sings. He has developed a sophisticated, intensive way to use these modulations that were quite common in the singers we heard there in the backlands of the northeast."

The compilation referred to is recently released 4-CD set drawn from an archive collected in the northeast by a folklore team in 1938.

Monday, February 12, 2007

Hijab couture goes mainstream?


Check out this fashion item from the current London Fashion Week. The caption on Yahoo! News says, "A model wears an outfit by Fashion East designer Louise Golden during her catwalk show at London Fashion Week in London, Monday Feb. 12, 2007. The designers are showing their Autumn/ Winter 2007/8 collections. (AP Photo/Alastair Grant)" (Thanks to Chris for bringing this to my attention.)


(Note that Muslim women have been wearing fashionable headgear for some time now--see for instance the items at HijabShop.com.)

Fox News carried a related article on February 6 by Catherine Donaldson entitled "Bye Bye, Hair! Hello, Turban Chic," which I initially discounted but now am inclined to take more seriously. Donaldson reports that designers like Prada, Marc Jacobs and Ralph Lauren, and chain stores like H&M are now offering turbans (Donaldson also calls them "full-on headscarves") for women, some as expensive as $700, and that they have been sported by Katie Holmes, Jennifer Lopez, Eva Mendes and Prince (at Superbowl half-time).


The "turban" hearkens back to '40s, '50s, and '60s fashion, when it was worn by the likes of Joan Crawford and Ava Gardner. Donaldson also notes that, "Some [observers] speculate that turbans are popping up on women because of India's increasing influence on Western pop culture and a growing post-Sept. 11 interest in Pakistan, Afghanistan and the Middle East." Sounds like more Orientalist confusion to me, a mash-up of the turban worn by Sikh men and the headscarves of pious Muslim women in Islamic cultures.

And here's a couple more strands noted by Donaldson: "the style has been adopted by hippie chicks on the one hand and women embracing their African roots on the other (think India.Arie and Erykah Badu)."

Fascinating that such style is showing up on London and Paris fashion catwalks (photo at left is a Prada turban at the Paris spring fashion show) when British politicians like Jack Straw, prominent Labor Party politician and Leader of the House of Commons are campaigning against veils worn by British Asian Muslim women. In early October 2006, Straw published a controversial article stating that he asked Muslim women constituents who visited his office for consultations to raise their veil, if they wore a niqab (a full veil with a slit for the eyes) so that he could see their eyes. The veil (i.e. niqab), he wrote, is a "visible statement of separation and difference." Both both PM Tony Blair and his presumed successor, Gordon Brown, chimed in to support Straw. Blair too has stated that the veil is a "mark of separation" and that it has made some "outside the community uncomfortable," while Gordon Brown said it would be "better for Britain" if fewer women wore veils. Brown also asserted that immigrants "should speak the language of English."

I don't read J-Lo, Katie Holmes', and Prada's embrace of the turban as indicating any kind of dissent from Labour politicians Straw, Blair and Brown. Erykah Badu, who comes out of a Nation of Gods and Earths background, is another matter, however. And then there is Cat Power's very intriguing use of hijabs in her video for "Living Proof."

Saturday, February 10, 2007

kufiyaspotting #14: New York Times (citing me)

This article appears tomorrow in the Sunday Times Style section. (I was originally told that it would appear in the Style section the Thursday after next, February 22, but that the editors liked the piece so much they decided to move it up to this Sunday.) It's a good article, and not only because it quotes me :). I'm not sure whether the red kufiya is associated today, in Palestine, with Hamas today, but that may be correct, for all I know. The red kufiya used to indicate either Jordanian or PFLP affiliation. Otherwise, this seems pretty much spot on, except that Rochelle Davis, who is also quoted is a "she," not a "he."

Addendum: Rochelle Davis informs me that the Hamas/red kufiya association is dead wrong. And my stepsister Cynthia notes with regret that the article gives the last word to fashionista Jay Hukahori. But Hukahori is dead wrong too--the kufiya is not "dead," even if its NYC fashion career may be played out.

New York Times, February 11, 2007
"Where Some See Fashion, Others See Politics"
By Kibum Kim

THREE months ago, Jay Hukahori, a 24-year-old fashion design student at Parsons, went to a party at Guesthouse, a club in Chelsea, in an outfit topped off by a kaffiyeh, a scarf with a black and white chain-link pattern and knotted tassels that is typically worn in Arab countries.

“I knew that with the doormen, it’d be easily identifiable as a hip accessory,” Ms. Hukahori said.

Once the trademark headwear of Yasir Arafat, and long associated with his Palestinian countrymen, the kaffiyeh has lately shown up on the shelves of adventurous boutiques in the United States and even mainstream retailers like Urban Outfitters.

Its newest wearers, who wrap it around the neck like a scarf, say they are less Fatah sympathizers than fashion party crashers. The kaffiyeh appears to be the dubious successor to last year’s Che Guevara T-shirts, a symbol denuded of any potent political associations by pop culture.

But not everyone finds it so simple a fashion statement. A blogger named Mobius, posting Jan. 16 on Jewschool, a Jewish blog that targets a young audience, blasted Urban Outfitters for selling kaffiyehs. Taking issue with the retailer’s decision to label the item an “anti-war woven scarf,” Mobius posted pictures of terrorists adorned in kaffiyehs.

The same day Urban Outfitters, which had offered the scarves in several color combinations for $20, pulled them from stores. Its Web site posted this explanation: “Due to the sensitive nature of this item, we will no longer offer it for sale. We apologize if we offended anyone, this was by no means our intention.” A spokeswoman for the store, which has 95 branches nationwide, declined to comment further.

Hanyi Lee, a graphic designer in New York, who had bought a kaffiyeh at Urban Outfitters and now owns three, didn’t intend anything provocative when she wore hers. “I didn’t think it was anything that heavy,” Ms. Lee said, noting that she takes fashion cues from a variety of cultures.

Ms. Hukahori thought it strange that Urban Outfitters would call the kaffiyeh (pronounced kuh-FEE-yeh) an antiwar scarf.

“That’s so cheap of Urban, a PR gambit,” she said. “But I think it’s great that this controversy will get kids to start learning about it.”

Clearly, many wearers have not considered the kaffiyeh’s political import. “I’m not too up to speed in what’s going on in the Middle East,” said Liz Chernett [pictured below--T.S.], a strategic consultant in branding and a youth trends expert who bought a kaffiyeh from a vendor on St. Mark’s Place three months ago. “It’s an aesthetic thing.”

Perhaps what is most telling about the mainstreaming of the kaffiyeh is what it says about the country’s political mood. The scarf’s popularity seems to have less to do with solidarity with Arabs than it has to do with the war in Iraq. Marketing it as an antiwar statement, as Urban Outfitters attempted, would probably have been even more controversial a few years ago, when the country was more divided about Iraq, said Ted Swedenburg, a professor of anthropology at the University of Arkansas, who blogs about pop culture, music and the Middle East.

In Britain, where voters are even more united against the war than Americans, the kaffiyeh’s fashionability has been taken a step farther. TopShop, the high-street juggernaut, is selling kaffiyehs stamped with skull prints, conflating two hot looks of the recent past.

Dr. Swedenburg said he thinks that the exotic element of the scarf becomes more important, and the political aspect less so, as it becomes mainstream. “It’s chic because it’s different,” he said. “It’s Eastern.”

According to Professor Swedenburg and others who have studied the history of the kaffiyeh, it was originally the headwear of Palestinian peasants, worn around the head and fastened in place by a band called an agal. In the insurrection against the British occupation from 1936 to 1939, the kaffiyeh became a symbol of Palestinian nationalism as well as an expression of class struggle. The insurgents forced upper-class Palestinians, who typically wore the Ottoman fez, to don the kaffiyeh to show sympathy with the fighters. The kaffiyeh rose in prominence again in the 1960s when the Palestinian resistance movement started and Arafat famously adopted it. “Above all, it’s important to remember a kaffiyeh is something to wear like a hat, to keep out the cold, keep out the sun,” said Rochelle Davis, an assistant professor of culture and society at Georgetown University’s Center for Contemporary Arab Studies.

But if an older generation of Arabs still wears it as utilitarian headwear, the younger generation in the Middle East may wear it expressly to show support of the Palestinian cause, and it is also used by militants to disguise their faces. The black and white kaffiyeh is often associated with Fatah; the red and white with Hamas.

Many in the Jewish community, in particular, object to people wearing the scarf as a fashion statement. “Because there are people who wear the kaffiyeh as a sign of solidarity with Palestinians, some people view it as an endorsement of terrorism,” said Mik Moore, chairman of the board of directors for the Jewish Student Press Service, an independent nonprofit organization.

Dr. Swedenburg doesn’t think it should be viewed this way. “I think to associate it directly with terrorism is to tar all Palestinians with the brush of terrorism,” he said. “That’s a mischaracterization.”

Dr. Davis shares this opinion. “I think it diminishes its meaning and its value to just say ‘it’s been used by terrorists,’ ” he said. “I think it has a much richer history and a much richer meaning system than that.”

For those with a long memory, the current kaffiyeh craze may seem familiar. The scarves became a fashion statement in the United States at the start of the first intifada in 1987. In 1988, CBS News and Time magazine chronicled the trend. In a 1992 Michigan Quarterly Review article about the kaffiyeh’s modern history, Dr. Swedenburg wrote about how a “sign of Palestinian struggle suddenly appeared in the ensembles of ‘downtown’ U.S.A., together with black turtlenecks, ripped Levi’s, high-top sneakers and eight-zippered black leather jackets.”

In its 2007 revival, the kaffiyeh has similar sidekicks. “It’s hipster 101: I need my skinny jeans, some sort of scarf and a beat up T-shirt,” Ms. Hukahori said. “O.K., I’m a hipster now.” [Hukahori is pictured below. The caption under this photo reads, "Jay Hukahori modeling hers. She says she doesn’t wear it anymore because she no longer thinks it’s fashionable."]


Whether the scarf is seen as a political statement is usually in the eye of the beholder. “I think the meaning is given to it as much by the viewer as the wearer,” Dr. Davis said. “I see it and immediately think, ‘Is that person wearing it for a reason or just as a fashion accessory?’ ”

Ms. Chernett has not encountered any reactions to her kaffiyeh in New York but she has in cities like Philadelphia.

“I’ve gotten a lot of comments about it, like, ‘Doesn’t that support terrorists?’ ” she said. “ ‘Aren’t you Jewish?’ ” (Ms. Chernett said she is half-Jewish.)

Ms. Hukahori doesn’t have to answer any such questions; she hasn’t worn her kaffiyeh in public in months. It would never make her stand out with a club doorman today, she feels. The kaffiyeh, she said, is “dead.”

Thursday, February 01, 2007

backgrounders on Lebanon

Two excellent articles recently published, Jim Quilty's "Winter of Lebanon's Discontent," from Middle East Report Online, and Mohamad Bazzi's "Blowback in Lebanon," from The Nation. Both discuss the "blowback" effect of Sunni-Shi'ite conflict in Iraq on conditions in Lebanon. (Quilty, for the record, is a recovering Razorback.)