Back in 2007, Lauren Bush was spotted wearing a kufiya.
More recently, she has been promoting a designer (feed)bag, the proceeds of the sale of which will help feed starving children. Read about it here, from the blog Africa Is A Country.
The photos promoting the bag are priceless. Both feature Lauren, daughter of Neil, whose married name is Lauren Bush Lauren, who is both a fashion model and a designer. And humanitarian to boot.
Dalida, born in Shobra, Cairo, to Italian parents. Enrico Macias, an Algerian Jew, born Gaston Ghenassia, in Constantine, Algeria. Both huge stars in France. Part of the secret of their successes was that their music sounded a bit exotic, but for them to have used their background in the Arab world as more than frills would have been met with racist hostility. The Arabness therefore manifests itself in small doses. As in this case, in some sort of variety show, where Enrico greets Dalida in Arabic, with "Ahlan wa sahlan Dalida, salamaat salamaat" (welcome Dalida, greetings, greetings). She responds, "Ahlan wa sahlan ya Enrico, ezzayyak? Kuwayyis, ilhamdou lillah?" (Welcome Enrico, how are you? Well, thank God?"(The clip is not dated, but perhaps it's after Dalida recorded her string of hits in Arabic, starting with "Salma ya Salama," and so now it was somewhat more acceptable for stars like her to refer to their Arab roots -- in her case, cultural roots.)
They proceed to do a duet of Dalida's first hit, from 1956, "Bambino." Watch Dalida do the original here, back in the days when she wore her hair dark.
It's worth recalling that Jean Dujardin does a version of "Bambino," in Arabic, in his hilarious spy spoof, OSS 117: Cairo, Nest of Spies. You can check that one out here.
Enrico did not record in Arabic (other than some hints or a few words) until 1999, when he released his terrific Hommage à Cheikh Raymond, his tribute to his teacher and father-in-law, the grand master of malouf, Raymond Leyris.
And then there is this clip, of Dalida with another great French star, Claude François. They open by speaking of the fact that they both were born in Egypt, and that one of Claude François' parents was Italian. They then proceed to sing some duets in Italian.
Claude François (author of "Comme d'habitude," the original of "My Way") was born in Ismailiya, Egypt, in 1939. His father worked as a shipping traffic controller in the Suez Canal. The family left for France in the wake of the Tripartite Aggression (a.k.a. Suez War) of 1956.
Dalida recalled her first meeting with Claude François in 1963, when they became friends, thus: “Nous nous sentions tous les deux déracinés...Ensemble, nous parlions en égyptien” (We both felt uprooted...Together, we used to speak in Egyptian -- i.e., Egyptian Arabic). (Catherine Rihoit, Dalida, 1995, p. 344)
People keep sending me this stuff. So here goes...
#1. The Akshay Kumar and Snoop Dogg video, "Singh Is Kinng." Kumar can be spotted sporting the kufiya, draped around his neck like a scarf, several times throughout the video. (Thanks, Rachel.)
Why in the world is a Bollywood movie star wearing a kufiya?--particularly when he is also wearing a turban, since he's playing the part of Lakhan Singh, a Sikh, which he plays in the film, Singh is Kinng. Is it because Singh is the king of the gangstas in Australia? Is it just international style? Or, since he's on screen with Snoop Dogg, is Kumar trying to look more hip-hop? Who knows?
"Singh Is Kinng" is a bhangra song, composed by the UK bhangra band RDB, but it's not terribly clever. Such hip-hop/bhangra collaborations seem to be getting more and more common, and there are lots of better ones. Jay-Z's collabo with Punjabi MC on "Beware" seems to have started the trend. Go here for more hip-hop/bhangra downloads.
#2. I found this video on the page of the band, Rainbow Arabia. It's one of their "influences," and it's a video that goes along with the performance of "Palmitos Park" by El Guincho. The kufiya shows up right away, as kind of table cloth, with colored feathers on it. The kufiya and the feathers show up several times, each time looking more psychedelic. It's a very "conceptual" video, by Will Bryant. Who knows why the kufiya is there. El Guincho is a Spanish musician whose music has been described as "space-age exotica."
As for Rainbow Arabia, it is a kind of exoticizing experimental band. Their press packet describes them as combining Middle Eastern flavors with American experimental dance music, according to a review of their first release by Pitchfork. (Thanks to Dave for turning me on to them.)
And catch this, the Pitchfork review actually says that the band has a "keffiyeh-fied aesthetic"!
I've not heard Basta, the EP in question. (It doesn't seem to be available for download on any sites I know.) But if you check out the band's webpage, you can listen to three of their songs. Only one of them, "Tiny Tiny Man," has a hint of "Middle Eastern" influence--the sound of the derbouka.
Not really sure how "keffiyeh-fied" their aesthetic is. It's definitely exotica. I'll let you know if/when I find out.
(Oh, and be sure to check out the 4th video of their "influences"--the completely amazing Syrian singer, Omar Souleyman.)
Professor of Anthropology, University of Arkansas. Author of Memories of Revolt: The 1936-39 Rebellion and the Palestinian National Past. Co-editor of Palestine, Israel and the Politics of Popular Culture and of Displacement, Diaspora, and Geographies of Identity.
