From Layla Al-Zubaidi, writing in the London Review of Books:
Since the uprising began, every village has come up with its own dabke, a traditional dance in which the dancers, their hands locked together, move in a circle and stamp their feet to the beat of a drum. Every funeral is turned into a protest procession. Among the most common funeral chants is a song written by Ibrahim Qashoush, a singer from Hama, called ‘Yallah irhal ya Bashar!’ (‘Get out, Bashar!’). When Qashoush was found last summer with his throat slit and vocal cords ripped out, the song became the movement’s soundtrack. It even made its way to Avenue Bourguiba in Tunis, where crowds sang it on the anniversary of their own revolution. It became such a phenomenon that the authorities pirated it. Schoolchildren were given it to sing, but with the lyrics altered: ‘Nahna rijalak ya Bashar!’ (‘We are your people, Bashar!’). Abbas said it was because they are afraid of the song: ‘They use it like a voodoo puppet. They think that if they appropriate the symbols of the revolution, they can tame its spell.’
Showing posts with label debke. Show all posts
Showing posts with label debke. Show all posts
Thursday, May 17, 2012
Tuesday, February 21, 2012
Revolutionary debke in Hama, Syria
I got this via today's New York Times. This was filmed yesterday in the Halfaya neighborhood of Hama. Apparently this is a regular, morning event. 100's gather to dance the debke, as someone chants and the crowd responds, to the backing of live percussion. Pretty stirring.
You will recall that Hama is famous for its revolutionary debke chants. It is the source of that famous chant, "Come On Bashar, Leave," sung by Ibrahim Qashoush, who shortly after a video of him chanting at a demonstration circulated widely, was found with his throat slit, on July 4. I posted about it here. The recently-departed Anthony Shadid, the intrepid journalist for the Times, got into Hama in July 2011 and reported on the song, the song's author, and conditions in Hama.
It's cheering to see that, despite the deadly assaults by the regime, Hama is still at it. I hope that someone can fill the shoes of Anthony Shadid. I don't know whether I'm more pessimistic about that or about the future of Syria.
(The expert on Syrian debke is Shayna Silverstein, graduate of the University of Chicago. I look forward with keen anticipation to her publications on the subject.)
You will recall that Hama is famous for its revolutionary debke chants. It is the source of that famous chant, "Come On Bashar, Leave," sung by Ibrahim Qashoush, who shortly after a video of him chanting at a demonstration circulated widely, was found with his throat slit, on July 4. I posted about it here. The recently-departed Anthony Shadid, the intrepid journalist for the Times, got into Hama in July 2011 and reported on the song, the song's author, and conditions in Hama.
It's cheering to see that, despite the deadly assaults by the regime, Hama is still at it. I hope that someone can fill the shoes of Anthony Shadid. I don't know whether I'm more pessimistic about that or about the future of Syria.
(The expert on Syrian debke is Shayna Silverstein, graduate of the University of Chicago. I look forward with keen anticipation to her publications on the subject.)
Labels:
Anthony Shadid,
dance,
debke,
Hama,
revolution,
Syria
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