Showing posts with label Nass El Ghiwane. Show all posts
Showing posts with label Nass El Ghiwane. Show all posts

Monday, August 17, 2015

Cool Middle East music guide: Brownbook

Brownbook is a magazine focusing on urban design, travel and culture in the Middle East. It's published (paper) six times a year, in London, but also has a website, and a music section. Periodically they introduce you to a new artist or mixtape or whatever. Recent items include:

DJ K-Sets' mixtape of Persian Pop made in LA in the 1980s and 90s...


Reem Kelani's "Galilean Lullaby"...


Nass El Ghiwane doing "Subhan Allah" live in concert... (and what a fabulous photo!)


A clip of the late Sabah doing "A Man from Tehran" (so terrific)...


and much more...


Wednesday, June 04, 2014

Cool vintage downloads, Middle Eastern music

I recently ran across a couple of very cool sites for vintage downloads.

First is this one, Vintage Arab Pop Music.

It is mp3s of 50+ 78s from the 1930s-1950s. Unfortunately the person who has posted them does not read Arabic, and some labels do not use Latin characters. There is some wonderful stuff here from well-known artists like Mohamed Abdel-Wahab, Umm Kalsoum, Sabah and Fayrouz -- and a lot by artists I did not know. A great source to explore.

The tracks I found most interesting were two by Hanan and Fayrouz (yes, the Fayrouz). In English they are identified only as "Swing" and "Rhumba."


The "swing" track in Arabic is غيب يا قمر (Ghayb ya 'amr), and the "rhumba" is يا سميرة (Ya Samira). The label says they were written by the Rahbani Brothers, and according to this post on Soundcloud they date from between 1951 and 1954, that is, very early in Feyrouz's career. I'd like to know more, both tracks are so delightful. Harmonies! Especially on "Ghayb ya 'amr," which has a bit of an Andrews sister feel to it.

The Arabic lyrics for "Ghayb ya 'amr" can be found here. (I think the translation is more or less, disappear, O moon, but hopefully someone who reads this will come up with a more colloquial translation.)

The other site is Naksh al-sanadeeq.

This is tumblr account so new stuff keeps showing up. It's a pretty wide variety, stuff like Sayid Darwish, Warda, Nass El Ghiwane, and so on.

But it's what you might not have heard of before that might be the most interesting. I'd never heard of the Syrian singer Mayada El Hennawi before, and I just love this album of hers: Moush Aweidak/Ashwak.


And I had never before heard Egyptian composer Riad el Soumbati performing his composition Al-Atlal, made famous of course by Umm Kalthoum. His version is great, fabulous oud playing.


One warning about this site: some of the records are scratched and skip or stick...But ma'leesh.



Saturday, October 27, 2012

More on Paco (RIP) and Nass El Ghiwane

Please read this great obituary on Paco (Abderrahmane Kirouche), the gnawi from Essaouira, and member (from 1974-1993) of one of Morocco's best and most beloved bands, Nass El Ghiwane. The obit, from The Audiotopia, is full of info about both Paco and Nass El Ghiwane. The piece confirms that Paco had an affiliation with The Living Theater. According to The Audotopia, Paco met up with them in summer 1966 while traveling in England. Maybe the group's encounter with Paco is what brought them to Essaouira, where they spent part of the summer of 1969 (July) in Essaouira. Who knows? I've read about The Living Theater's time in Essaouira in John Tytell's The Living Theatre: Art, Exile, and Outrage (New York: Grove Press, 1995). Tytell tells us that a group of Gnawa slept on the roof of the company’s group house and that they performed a purification ceremony and taught company members how to trance and stick knives into their bodies without drawing blood. Tytell does, however, specifically name Pacca. During their stay in Essaouira, the Living Theater were also visited by psychiatrist R.D. Laing, Stokely Carmichael, Anaïs Nin and Jimi Hendrix. The Audotopia claims that Paco jammed with Hendrix. I met other gnawa in Essaouira when I was there in 1999 who claimed the same thing. Caesar Glebbeek claims that this didn't happen, that Hendrix didn't even bring his guitar with him to Essaouira. Who knows, maybe someone handed him a guitar. The legend lives large in Essaouira.

Paco married a woman named Christine who was affiliated with The Living Theater, according to The Audiotopia, and the post comes with a picture of Christine. But he eventually divorced her. I'd like to track down more info on this.

Check out as well this blog devoted to the poetry of Nass El Ghiwane (in Arabic). Be sure to download the rare Nass El Ghiwane sides that The Audiotopia has posted with the obit. Finally, Tim over at Moroccan Tape Stash has recently posted some more recorded material from Paco. Allah yarhamu.


Tuesday, October 16, 2012

Abderrahmane Paco, Gnawi, member of Nass El Ghiwane: RIP

The great Paco passed away over the weekend. Trained as a gnawa m'allim in Essaouira, he was a key member of Nass El Ghiwane in its heyday, bringing the sound of the guimbri/hajhouj and Gnawa influences in general into the distinctive ghiwanian mix. Here's a short obit from Libération (Morocco). Here, thanks to Tim, is an example of Paco's work with Nass El Ghiwane.




Here, at Moroccan Tape Stash, you can find, and download for free, a couple Paco cassettes and a rare casette of Nass El Ghiwane featuring both Paco and the late Boujemâa.