Pink's stripper-burka at the 2010 Grammys

You will pardon me my posts are sometimes not "timely." I am going back through old notes that I've stashed in various places, and finding things that I meant to post much earlier.

Here's what Terry Sawyer, in Popmatters.com, wrote about Pink's appearance at the 2010 Grammys: "While I admired her athleticism, Pink’s performance was a yawning Cirque du Flashdance...I know all the fashion attention of the Grammys will rightfully center around Lady Gaga’s sci-fi burlesque, but Pink deserves accolades for debuting the stripper-burka with its pleasure trail neckline rendering of traditional Islamic dress, even if it ends up earning her a Salman Rushdie-style fatwa. Performances like this represent the quiet neutering of awe."

Frankly, I'm not convinced that Pink's outfit truly evokes a burka, or female Islamic dress of any sort. (Sawyer needed to consult something like the Huffpost guide to "veiling," the subject of my previous post.) But it's interesting that he thinks it does. You decide.

Huffington Post's Guide to Middle East Head Coverings (Women's)

From burqas to burqinis to hijabs to niqabs, and more. By Anne Patterson. How interesting is it that this was published on January 25, 2011, the day of the beginning of the Egyptian uprising?

Lupe Fiasco & Erykah Badu at Hip Hop Awards '11: #occupy, Palestinian flag, kufiya, burkah...

Rapper Lupe Fiasco performed his song, "Words I Never Said," at the Hip Hop Awards 2011 on October 10. The performance was provocative in all kinds of ways that we like here at hawgblawg.

First, Erykah Badu backed him up on vocals (singing), dressed like this:

Yes, full-on burqa. And green fingernail polish. And a hat that makes her look, kinda like an Orthodox Jew? In any case, the most remarkable thing is the burqa. This does not mean that Badu (who in the past has laced her lyrics with the doctrine of the Nations of Gods and Earths, and who in the past used to dress in the style of an Earth, a modestly dressed female Five Percenter) has become a devout Muslimah. Rather, one guesses, she is expressing solidarity with the devout burqa wearer. Or trying, by putting the burqa on, to make it appear less strange, alien and exotic. I doubt it's a matter of burqa chic.

And then there is the matter of the banner that Lupe Fiasco has attached to his mike stand, a combination kufiya and Palestinian flag, with the word, Palestine stitched into it.

Avid readers of this blawg will know that Lupe was seen waving a Palestinian flag in concert on September 16, when he expressed his support for Palestine's admission to the UN. They will also recall that Lupe is a Muslim who doesn't hide it and that he has been spotted in a kufiya several times in the past. The real avid readers might also recall these lines from the song he performed at the Hip Hop Awards, "Words I Never Said":

Gaza Strip was getting bombed, Obama didn’t say shit
That's why I ain't vote for him, next one either
I’m a part of the problem, my problem is I’m peaceful
And I believe in the people...

I really think the war on terror is a bunch of bullshit
Just a poor excuse for you to use up all your bullets...

Now you can say it aint our fault if we never heard it
But if we know better than we probably deserve it
Jihad is not a holy war, where's that in the worship?
Murdering is not Islam!

And you are not observant
And you are not a Muslim
Israel don’t take my side cause look how far you’ve pushed them

And then there is the matter of the shirt that Lupe was wearing:

What can I say? We really like this. Occupy everything.

Erykah took her hat and face covering off at the end of the song:

The purpose was not to "disrobe." (Unlike Erykah did famously here.) The purpose was to show her face so that Mos Def could introduce her -- otherwise, I guess, no one in the audience would have known who that "weird" person in burqa was. Here, she looks like someone in less "severe" Islamic dress, in hijab rather than burqa.

I only wish I really loved the song, "Words I Never Said." I think the rap/rock combo is hard to pull off, and for me, it isn't successful in this case. I do, however, admire the performance and the lyrics, a lot. Especially all the provocation and the expressions of solidarity. And I do like a lot of Lupe's material. But not this song, so much.

Random #4589

Items I've wanted to post about have been piling up. They need to get off my desk. Let's begin the cleanup!

1. Thanks to Wayne, I learned about this wonderful hip-hop mix, featuring many of the Arab world's top artists. I was particularly glad to see Algeria's MBS included. The song "Dunya" from Canadian-Palestinian rapper Belly is particularly revelatory. Plus there is Detroit's Invincible. It's courtesy the blog The Hairdryer Treatment, which we all should be following.

2. Last month Human Rights Watch released a report stating that Israel's military had used phosphorus in an indiscriminate manner during its three week assault on Gaza, result in deaths and injuries to Palestinian civilians, and constituting a war crime. Did you know that the phosphorus weapons Israel used are supplied by the US, and that the white phosphorus shells are produced, in their entirety, in my state, at the Pine Bluff Arsenal?

3. You need to read Jace Clayton's review of two recent rai compilations. And you need to purchase both of them. I've posted about one of the tracks Clayton writes about, "Un gaou oran," here, on my mepop blog. (The video is a must see.) One of the compilations, 1970s Algerian Proto-rai Underground, from Sublime Frequencies, is only available currently as a download, but I believe it is coming out very soon on CD.

4. Also essential is Clayton's recent article about the Master Musicians of Jajouka. (By the way, Clayton records and performs as dj/rupture, and he runs the essential music blog mudd up!, where I am constantly snagging amazing mp3s.) Or rather, it's about the rival groups, the Master Musicians of Jajouka and the Master Musicians of Joujouka, the emergence of the feud, the kif-laden legends surrounding the group(s), a critical assessment of Talvin Singh's production of a Jajouka album in 2000, and more. Very smart stuff. (For more, see Philip Schuyler's witty and erudite article, "Joujouka/Jajouka/Zahjoukah: Moroccan Music and Euro-American Imagination.") Despite all the myths that Jajouka/Joujouka is freighted with, the Jajouka group puts on quite a lively concert. And there is a new recording that proves it. Check out Live Vol. 1 by The Master Musicians of Jajouka with Bashir Attar.

5. RIP J.G. Ballard. Crash is one of the most shocking, subversive, disturbing, dangerous, and incisive novels I have ever read.

6. Then there is the sensational basketball player Bilqis Abdul-Qaadir, a high school star from Springfield Massachusetts, who plays wearing Islamic dress, including hijab. She just beat the state scoring record, for men or women, topping 3000 points during her career. I'm very excited that she will be playing at the University of Memphis next year, and hope that a game with the University of Arkansas is in the schedule. The Boston Globe produced an excellent article about Bilqis back in February. More recently she was covered by Sports Illustrated. Unfortunately but symptomatically, the author, Selena Roberts, manages to link Bilqis' struggle for acceptance as a devout Muslima basketball player in the US to the issue of Shahar Peer, the Israeli tennis star who was denied a visa to play at the WTA tournament in Dubai in February. Roberts makes the denial out to be a "religious" issue, when it was in fact political, and had to do with the groundswell of protest against Israel's aggression in Gaza (December 2008/January 2009).

...Desk cleaning will continue later. There is more to come.