Yasmine Hamdan in Jim Jarmusch's "Only Lovers Left Alive"

 © Le Pacte

Can't wait to see the new Jim Jarmusch film, about vampires, taking place in Tangier and Detroit, starring, among others, Tilda Swinton and John Hurt.

A review in Huffington Post (from May, but I've only just seen the review) has this to say about Lebanese singer Yasmine Hamdan's role in it:

what gives the movie its force is the soundtrack, which culminates in a stunning performance in a Tangier bar by the Lebanese singer Yasmine Hamdan. The vampires, on a hunt for blood, stop to peep at this beautiful singer as she dances and sings, waving her highly-toned arms and wearing a sparkling spangled belt, a surprise image in the misty Moroccan night.

The film is now starting to open in Europe. The US, who knows? (I've blogged about Yasmine in the past.)

Slim Gaillard, Arabian Boogie and Yabra Harisseh

I just went to see American Hustle, which I truly enjoyed, and of course before I went I had been forewarned that I was going to hear a version of "White Rabbit" in Arabic, by Lebanese singer Mayssa Karaa and that Robert DeNiro, playing the mobster Victor Tellegio, would speak Arabic. (The backstory of how that song came to be recorded is here. Dawn Elder, who used to work with Miles Copeland III on the label Mondo Melodia, that did so much to bring Arab popular music to the US in the early aughts, played a key role. I discuss this in my article "The 'Arab Wave' in World Music after 9/11.")

For some reason this reminded me of a 2010 post on Qifa Nabki about jazz singer and guitarist/pianist Slim Gaillard's 1945 song “Yep-Roc Heresay.” The post informs us that the song, mostly in Arabic, is mostly a recitation of items from an Arab (or maybe Armenian?) restaurant: "yabra (i.e. stuffed graped leaves), harisseh (a semolina dessert), kibbeh bi-siniyyeh (a dish of meat and bulgur), lahm mishweh (grilled meat)" and also burghul (bulgur) and mahsheh (stuffed vegetable) and banadura (tomato) and so on. The title stands for Yabra Harisseh of course.

According to wikipedia, this is the back story: "the actual origin of these phrases comes from his time living in Detroit. He was out of money by the time he made it to Detroit and was turned down a job at Ford. An Armenian woman named Rose Malhalab took Slim in, where he lived in the basement of her and her husband's beauty shop on Woodward Avenue. She cooked much Arabic food for him, explaining Slim's entire song."

I had not heard "Yep-Roc Heresay" until recently but I have been intrigued for several years now by another Gaillard tune, "Arabian Boogie," whose lyrics go, "Sayidi, kifa kifa saha?...shu baddak? inta majnoun" (Mr., how are you? What do you want? You're crazy.)

It is claimed that he spoke 8 languages, but...really?? Where did he learn them? And where did he learn Arabic in particular -- not that these two songs show any sort of fluency but they do indicate at least some knowledge. He served in the army from 1941-45 -- was he in North Africa? Or maybe it's from Rose Malhalab? It's well known of course that Gaillard liked to fool with language and that he invented a language he called Vout and used its hip, bebop style language in a lot of his songs. (From "Flat Foot Floogie:" "Flaginzy at flagat, flaginzy ooh flagoo-jigee.")

Lots more info about Slim Gaillard here.

I'll never forget Gaillard's wonderful performance of "Selling Out" in Julien Temple's interesting but flawed 1986 film, Absolute Beginners.

Kufiyaspotting #35: Rappers Invincible and Finale on Gentrification in Detroit

Here's some "conscious" rap from Detroit rapper Invincible, with guest Finale, performing their song "Locust," which critiques the processes of gentrification in Detroit. It's part of a longer documentary on the displacement and the "predatory planning" going on in Detroit, and shows folks who are attempting to develop sustainable development alternatives.

Invincible appears with a purple-and-white kufiya around here neck, Finale, with a black-and-white one. It's a pleasure to write a kufiyaspotting where about folks who are politically progressive, where you can be sure that they wear scarves around their necks nut just because it's hip fashion but in the context of a serious political statement.

Invincible's myspace page is here. Finale's is here.

Violet informed me awhile back about Invincible, and I meant to write about hear earlier, but didn't get around to it. Check out the promo video below for her song "Sledgehammer," which features her in the purple kufiya again, and a good word from Talib Kweli.

And I quote Viola: "Invincible's an amazing activist and performer...she just recently tore it up for NYC's Israeli Apartheid Week show "Pick up the Mic; Break Down the Walls" along with Sabreena Da Witch (Abeer) from Lyd, Rebel Diaz, and more! She's also a member of Detroit Summer and the U.S.-Palestine Youth Solidarity Network, doing hip hop workshops with youth in Detroit and Palestine!"



And there's even more about Invincible here.