photo: Abdel-Rahman Hussein
Meet Yara Mekawie and Ola Saad, performing "abstract minimalist electronica" at the 100 Live Electronic Music Festival in Cairo last Thursday (as reported by Abdel-Rahman Hussein in Al-Masry Al-Youm).
Surprised by their "Islamic dress"? Yes, contemporary Egypt continues to surprise.
The 100 Live Electronic Music Festival is put on by 100 Copies Music, the Cairo label devoted to experimental music, and the label associated with the music of Ahmed Basiouny, who I have posted about several times, a martyr of the revolution.
I've not been able to learn much more about these two artists, who perform as RGB, other than what is written in Al-Masry Al-Youm. What I find of note is this:
1. RGB's music is very conceptual. Their performance was not, they say "about making music." “It’s about the sound and trying to convey colors through it,” Saad told Al-Masry Al-Youm. Mekawie concurred, adding, “When you hear what we do, the intent is for you to see light.”
2. They cite Ahmed Basiouny as their inspiration.
3. According to Hussein, "their work evokes Brian Eno and Robert Fripp’s “sonic landscapes” pioneered in the 1970s, but is more minimalist, less textured."
4. Most interesting, perhaps, is that the duo claim that the fact that they are women, and the only women in the festival, is "irrelevant." "The important thing is what we do."
The fact that they wear "Islamic dress": not even mentioned. At all.