Another Jajouka movie

There is the 1983 documentary that Philip Schuyler worked on, Master Musicians of Jahjouka.

(And please see Schuyler's astute article, "Joujouka/Jajouka/Zahjoukah: Moroccan Music and Euro-American Imagination", which you can read here.)

There is Augusta Palmer's Hand of Fatima (2010).

The Master Musicians Of Jajouka with Bachir Attar (Roskilde Festival 2014); photo: Morten Aagaard Krogh

And now there is another, Jajouka Quelque Chose De Bon Vient Vers Toi, by Eric and Marc Hurtado, members of the experimental/industrial music group Étant Donnés from Grenoble. The brothers were born in Rabat, Morocco. The film is entered in the 27th Marseille International Film Festival, to be held in July 2016. The festival website has this to say about the film:

The film opens with an archaic tale, in brief stylised tableaux, concerning the divine creation of music. The myth is extended to a universe of sacred dimensions where it is difficult to differentiate the legend from its current perpetuation. Where are we? In the Moroccan Rif, in Jajouka, a village where, for over two thousand years, fertility rites involving music and dance, have been presided over by Bou-Jeloud, “the Father of Skins”, a local version of the god Pan.

The Hurtado brothers are famous musicians: their group Etant Donnés came to prominence through collaborations with various artists including Alan Vega, Genesis P-Orridge and Philippe Grandrieux (they produced original soundtracks for several of his films). They are also known as experimental filmmakers. Here their two passions are combined, raising the challenge of travelling back in time to hail the Master Musicians of Jajouka, yesterday and today. Besides, has time passed? It is therefore not about concocting a score destined to accompany autonomous images, but about making the music (its strident nudity, its incantatory austerity) and its history the very substance of the images and the scenario being staged. Their choice was obviously Pasolinian: to resurrect the archaic while remaining faithful to it, through the treatment of decor, lighting, acting and costumes. Here, the beauty lies in the rough friction between the muteness of the characters and their unbridled momentum towards another potential voice.

--Jean-Pierre Rehm

Based on the write-up, it seems the film is going to go over the familiar myths surrounding Jajouka (it's about the rites of Pan, Jajouka and its rites are located in archaic times, and so on), that Schuyler's article so cleverly deconstructs. But maybe someone who reads this will be able to see the film and can tell us differently...

Random #4589

Items I've wanted to post about have been piling up. They need to get off my desk. Let's begin the cleanup!

1. Thanks to Wayne, I learned about this wonderful hip-hop mix, featuring many of the Arab world's top artists. I was particularly glad to see Algeria's MBS included. The song "Dunya" from Canadian-Palestinian rapper Belly is particularly revelatory. Plus there is Detroit's Invincible. It's courtesy the blog The Hairdryer Treatment, which we all should be following.

2. Last month Human Rights Watch released a report stating that Israel's military had used phosphorus in an indiscriminate manner during its three week assault on Gaza, result in deaths and injuries to Palestinian civilians, and constituting a war crime. Did you know that the phosphorus weapons Israel used are supplied by the US, and that the white phosphorus shells are produced, in their entirety, in my state, at the Pine Bluff Arsenal?

3. You need to read Jace Clayton's review of two recent rai compilations. And you need to purchase both of them. I've posted about one of the tracks Clayton writes about, "Un gaou oran," here, on my mepop blog. (The video is a must see.) One of the compilations, 1970s Algerian Proto-rai Underground, from Sublime Frequencies, is only available currently as a download, but I believe it is coming out very soon on CD.

4. Also essential is Clayton's recent article about the Master Musicians of Jajouka. (By the way, Clayton records and performs as dj/rupture, and he runs the essential music blog mudd up!, where I am constantly snagging amazing mp3s.) Or rather, it's about the rival groups, the Master Musicians of Jajouka and the Master Musicians of Joujouka, the emergence of the feud, the kif-laden legends surrounding the group(s), a critical assessment of Talvin Singh's production of a Jajouka album in 2000, and more. Very smart stuff. (For more, see Philip Schuyler's witty and erudite article, "Joujouka/Jajouka/Zahjoukah: Moroccan Music and Euro-American Imagination.") Despite all the myths that Jajouka/Joujouka is freighted with, the Jajouka group puts on quite a lively concert. And there is a new recording that proves it. Check out Live Vol. 1 by The Master Musicians of Jajouka with Bashir Attar.

5. RIP J.G. Ballard. Crash is one of the most shocking, subversive, disturbing, dangerous, and incisive novels I have ever read.

6. Then there is the sensational basketball player Bilqis Abdul-Qaadir, a high school star from Springfield Massachusetts, who plays wearing Islamic dress, including hijab. She just beat the state scoring record, for men or women, topping 3000 points during her career. I'm very excited that she will be playing at the University of Memphis next year, and hope that a game with the University of Arkansas is in the schedule. The Boston Globe produced an excellent article about Bilqis back in February. More recently she was covered by Sports Illustrated. Unfortunately but symptomatically, the author, Selena Roberts, manages to link Bilqis' struggle for acceptance as a devout Muslima basketball player in the US to the issue of Shahar Peer, the Israeli tennis star who was denied a visa to play at the WTA tournament in Dubai in February. Roberts makes the denial out to be a "religious" issue, when it was in fact political, and had to do with the groundswell of protest against Israel's aggression in Gaza (December 2008/January 2009).

...Desk cleaning will continue later. There is more to come.