Mahragan (electro sha'abi) at the Norient Musikfilm Festival, Bern, Jan. 9-11, 2014

I was asked to write the program notes on electro sha'abi (better known in Egypt as mahragan) for the 2014 Norient Musikfilm Festival, and they were just published today. You can read them here in English, and for the first time, something I wrote has also been translated into German, which you can read here.

The Festival program is very exciting, and I really wish I could attend. (But there is that cash flow problem...).

On the mahragan/electro sha'abi front, the festival features a very fine documentary on the mahragan scene, Hind Meddeb's Electro Chaabi. Here's a trailer:

Plus there is a Cairo Electro Sha'abi Club Night, featuring (live!) the mahragan stars MC Sadat and MC 'Alaa 50 Cent with DJ Ramy from Cairo, plus the Dutch electro sha'abi dj's Cairo Liberation Front. Very exciting.

 

MC Sadat

The festival will also screen the terrific film about Algerian shaabi (very very different from Egypt's electro shaabi!) and the recent reunion and tour of Jewish and Muslim shaabi musicians, El Gusto.

Plus films about Pussy Riot and the cultural scene around Mexico's narcotraficantes.

If you are anywhere near Bern you should go!

Burning Man kufiya and hula hoop

This blog post describes a video that was made at the 2012 Burning Man camp, when "a hula cam was fashioned by attaching a GoPro camera to a hula hoop with duct tape." The video shows women from the viewpoint of the hoop.



You think when you read about the vid that its purpose is to show how cool the technology is. When you watch the vid, you realize the true purpose is voyeuristic: you get to watch, close up, women hula-hooping, all young, none overweight, wearing either with skimpy bikini tops or even pasties. I guess men really watching this stuff. When I looked, the vid had enjoyed 3,688,045 views.

Based on my viewing of this vid and having attended the Wakarusa music festival in Arkansas in 2009, I conclude that hula hooping is a major activity for similarly-clad young women at such events.

But at least watching the vid did reveal that, yes, you can find kufiyas even at neo-hippy events like Burning Man. (And at Wakarusa.)

Report on the Andalucias Atlanticas festival in Essaouira

I went last year but couldn't make it this year. A friend who was lucky enough to go sent me this report, with accompanying photos:

"The last days of October and early November saw terrible weather Morocco, with various parts of the kingdom seeing heavy rains, flashfloods and mudslides. The normally windy city of Essaouira was no exception, but as the winds howled and rains poured, several hundred spectators sitting inside the massive tent set up for the Andalucias Atlanticas festival, were enraptured by some of the greatest voices in Andalusian music in Spain and the Maghreb. This year's festival payed homage to Samy El Maghribi, a pioneering figure in Moroccan music, who passed away earlier this year. The first evening of the festival (October 30) saw Abdelkarim L'Amarti, whose orchestra plays gharnati and hawzi, joined by Yolande Amzalag, the daughter of the late El Maghribi, who sang some of her father's earliest classics.

Yolande Amzalag

Samy El Maghribi's repertoire was vast, ranging from chaabi to melhoun and including one of Morocco's most memorable songs of independence ("Alf Hnia wa Hnia" which El Maghribi wrote in 1955 in celebration of King Mohammed V's return home after French-imposed exile.) A special tribute to El-Maghribi was also paid by Maxime Karoutchi, a rising star of the Judeo-Andalusian repertoire (see links below).

Marina Heredia

The audience was also regaled by the fiery vocals and dancing of Marina Heredia and Pasion Vega, two leading flamenco performers.

El Gusto Orchestra of Algiers

But the highlight of this festival was undoubtedly the performance by El Gusto, an ensemble of 40 musicians of Jewish and Muslim background, who sang together in the kasbah of Algiers in the 1950s and have recently been reunited by Safinez Bousbia, a young Algerian filmmaker. El Gusto - often described as the North African "Bueno Vista" - includes prominent figures of Algerian chaabi and hawzi music including oud virtuouso Rachid Berkani who performed with Farid al Atrache; mandole-player Abdelkader Chercham, who teaches chaabi repertoire at the Algiers' conservatory of music; pianist El Hadi Halo, who also happens to be the son of Mohammed Al Anka, a legend of Algerian chaabi- and three living legends of Judeo-Andalusian music: guitarist and vocalist René Perez, guitarist and vocalist Luc Cherki, and pianist Maurice Medioni [who could not make it to the festival]. In keeping with El Gusto's - and the festival's spirit of convivencia - the performance began with a blessing sung jointly by an imam and a rabbi, and then, with rain lashing outside, El Gusto played classics by North African legends like Mohammed El Anka, Dahmane El Harrach and Salim Halali. The lead vocalist Abdel Madjid Meskoud drew warm applause with his moving rendition of the late Kamel Messaoudi's classic "Noujoum el Lil."

René Perez

René Perez and Luc Cherki had people on their feet when they played their signature numbers "Elle Est Parti (Mchat Aliya)" and "L'Oriental."

Luc Cherki

Luc Cherki sang a new song ("La Ville d'Essaouira") he had composed for the festival and in honor of this charming town that he first performed in 1963 (when it was still called Mogador) when he was invited by Salim Hilali. El Gusto ended their performance with a stirring rendition of "Ya Rayeh," the song first composed by Mohammed Al Anka, popularized by Dahmane el Harrach, and recently revived by French-Algerian artist Rachid Taha. The festival was an inspiring success."

links:

Karoutchi singing Samy El Maghribi's melhoun number

Karoutchi singing Salim Hilali medley - Ya Kalbi/Raymonde Rametni

And check out this performance of El Gusto on BBC, preceded by an interview with Damon Albarn, who produced their album (which is terrific!):



I'll announce the dates and the program for next year's festival as soon as I know them.